Films Essays and Research Papers

Instructions for Films College Essay Examples

Title: The Last Exorcism 2010

  • Total Pages: 2
  • Words: 564
  • Sources:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: films will be accompanied by questionnaires within the body of its respective essay, which will help you focus the essay topic, including a list of vocabulary words to help shape your critical analysis. All essays are required to incorporate a minimum of 8 vocabulary terms in the body of the text. Vocabulary terms must be underlined !!( i will upload the file that includes the example ((of the paper)), vocab list and the questions, please underline the vocab) YOU HAVE TO WATCH THE MOVIE FIRST !!!!
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Title: Regarding films The Pursuit happiness The Soloist Discuss similarities 2 characters commenting upbringing determination skills Contrast persons experience poverty commenting external internal factors systems place hurt attitudes money strengths weaknesses character What criminal acts person commit viewed society differently Why Why Not Note symbolism movies racoons Soloist Discuss stereotypes poor people

  • Total Pages: 4
  • Words: 1247
  • References:0
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: Regarding these two films (The Pursuit of happiness and The Soloist)

Discuss the similarities between the 2 characters commenting on their upbringing, determination and skills

Contrast each persons experience of poverty, commenting on external and internal factors, systems in place that hurt them, attitudes about money, strengths and weaknesses of each character

What criminal acts does each person commit and would they be viewed by society any differently from one another? Why or Why Not?

Note symbolism in the movies(what do the racoons in the Soloist mean)

Discuss any stereotypes about poor people...how are they portrayed in each movie

What is the general message at the conclusion of each film

How would someone using a Functionalist perspective explain Chris Gardner's experience? How would they explain Nathaniel Ayers experience?

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References:

Works cited:

Dir. Joe Wright, The Soloist. DreamWorks Pictures, 2009

Dir. Gabriele Muccino, The Pursuit of Happyness, Columbia Pictures, 2006

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Title: Films as Expressions of a Society's Values

  • Total Pages: 6
  • Words: 2037
  • Works Cited:18
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Please write a thesis, a 1.5-page very detailed outline and introductory paragraph (total 3 pages) on the topic of films as expression of a society/country/culture's values. Please write two of these for a total of six pages. Each of the two topics should cover a different value, e.g. technology is important, acceptance of homosexuality, and compare any two countries. This is the beginning of a 40-page research paper and a good job will be rewarded the paper as well.

The main thrust of the paper is a study of films. So instead of discussing the cultural differences/similarities outright, it should be done as reflected in the popular films/movies of that country. So for example, one could be a contrast between the acceptance of homosexuality between the US and Italy. You would write about 3-4 movies in the US that show acceptance and then 3-4 Italian movies that express disapproval. Not sure how to tie it together in an interesting and insightful way, so please put some serious thought into writing and interesting thesis and the structure of the outline.

Please also make lists of the movies to be referenced and any include a total of 18 references on the topics.

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Works Cited:

References:

Abrams, Nathan, Bell, Ian, & Udris, Jan. Studying Film. New York, NY: Oxford University Press, 2001. Print.

Bellantoni, Patti. If It's Purple, Someone's Gonna Die -- The Power of Color in Visual Storytelling. Oxford, UK: Focal Press, 2005. Print.

Benyahia, Sarah Casey, Gaffney, Freddie, & White, John. AS Film Studies -- The Essential Introduction. New York, NY: Routledge, 2006. Print.

Bordwell, David, & Thompson, Kristin. Film Art -- An Introduction. New York, NY: McGraw-Hill, 2008. Print.

Butler, Andrew M. Film Studies -- The Pocket Essential. North Pomfret, VT: Pocket Essentials, 2005. Print.

Campbell, Drew. Technical Film and TV for Nontechnical People. New York, NY: Allworth Press, 2002. Print.

Celli, Carlo, & Cottino-Jones, Marga. A New Guide to Italian Cinema. New York, NY: Palgrave Macmillan, 2007. Print.

Cubitt, Sean. The Cinema Effect. Cambridge, MA: The MIT Press, 2004. Print.

Dixon, Wheeler Winston, & Foster, Gwendolyn Audrey. A Short History of Film. New Brunswick, NJ: Rutgers University Press, 2008. Print.

Fabe, Marilyn. Closely Watched Films: An Introduction to the Art of Narrative Film Technique. Berkeley & Los Angeles: University of California Press, 2004. Print.

Felleman, Susan. Art in the Cinematic Imagination. Austin, TX: University of Texas Press, 2006. Print.

Galt, Rosalind. The New European Cinema. New York, NY: Columbia University Press, 2006. Print.

Giles, David. Media Psychology. Mahwah, NJ: Lawrence Erlbaum Associates, Inc., 2003. Print.

Hayward, Susan. Cinema Studies -- The Key Concepts. London & New York: Routledge, 2000. Print.

Kozloff, Sarah. Overhearing Film Dialogue. Berkeley & Los Angeles: University of California Press, 2000. Print.

Miller, Toby, & Stam, Robert. (eds) A Companion to Film Theory. Oxford, UK: Blackwell Publishing, 1999. Print.

Smith, Greg M. Film Structure and the Emotion System. Cambridge, UK: Cambridge University Press, 2003. Print.

Wahl-Jorgensen, Karin, & Hanitzsch, Thomas. (eds) The Handbook of Journalism Studies. New York, NY: Routledge, 2009. Print.

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Title: Alfred Hitchcock

  • Total Pages: 6
  • Words: 1793
  • Bibliography:2
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: 1. Hitchcock--The Murderous Gaze identifies a number of motifs or symbols (for example, what the book refers to as the "////" sign; the white flash; the "curtain raising" effect; the "tunnel shot"; the "profile shot") which Hitchcock uses in film after film. Choose any THREE of these motifs. For each, briefly discuss TWO specific instances of Hitchcock's use of the motif.

2. One of the central claims of Hitchcock--The Murderous Gaze is that Hitchcock's artistic identity is fully evident in films as early as The Lodger. Briefly discuss.

3. Are Hitchcock's films misogynistic (anti-women)? Explain.

4. In Hitchcock films, theater is a central theme or subject. Discuss the role of theater in Hitchcock's work.

5. What makes a movie Hitchcockian?

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Bibliography:

Works Cited

Rothman, William. (1984). Hitchcock: Murderous Gaze. Harvard University Press.

Wennerberg, E. (2003). "The Women of Hitchcock." University of California San

Diego. 16 June. 2008. http://history.sandiego.edu/GEN/st/~emily2/women_of_hitchcock.html.

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