The Picture Of Dorian Gray Essays and Research Papers

Instructions for The Picture Of Dorian Gray College Essay Examples

Title: greek culture

  • Total Pages: 8
  • Words: 2546
  • References:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Hi, the topic of my paper is How does the PICTURE OF DORIAN GRAY RESPOND TO INTEREST IN GREEK CULTURE AND THE RISE OF AESTHETICISM IN THE LATE VICTORIAN CULTURE? pleae note. the paper should include a single sentence abstact that describes the argument of the paper, printed at the top of the first page of the paper. an opening paragraph that contains within it the paper's argument or thesis statement. the paper should include discusion with complete reference and citation of at leat 8 research sources thay place the argument of my paper in the context of what others have written. sources must iclude books articles or chapters in books and journal articles. proper MLA citation.

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Aldrich, Robert. The Seduction of the Mediterranean: Writing, Art, and Homosexual Fantasy. New York: Routledge, 1993.

Beckson, Karl, ed. Oscar Wilde: The Critical Heritage. London: Routledge, 1997.

Boscagli, Maurizia. Eye on the Flesh: Fashions of Masculinity in the Early Twentieth Century. Boulder, CO: Westview Press, 1996.

Harris, Jose. "1 Ruskin and Social Reform." Ruskin and the Dawn of the Modern. Ed. Birch, Dinah. Oxford: Oxford University Press, 1999. 7-33.

Liebman, Sheldon W. "Character Design in the Picture of Dorian Gray." Studies in the Novel 31.3 (1999): 296.

Rocke, Michael. Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence. New York: Oxford University Press, 1996.

Wilde, Oscar. De Profundis. Ed. Robert Ross. New York: G.P. Putnam's Sons, 1905.

http://www.questia.com/PM.qst?a=o& d=103407210?Robert Aldrich, The Seduction of the Mediterranean: Writing, Art, and Homosexual Fantasy (New York: Routledge, 1993) 90.

http://www.questia.com/PM.qst?a=o& d=101535174?Michael Rocke, Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence (New York: Oxford University Press, 1996) 4.

http://www.questia.com/PM.qst?a=o& d=104182167

http://www.questia.com/PM.qst?a=o& d=20973019

http://www.questia.com/PM.qst?a=o& d=34114694?Jose Harris, "1 Ruskin and Social Reform," Ruskin and the Dawn of the Modern, ed. Dinah Birch (Oxford: Oxford University Press, 1999) 20.

http://www.questia.com/PM.qst?a=o& d=104182467

http://www.questia.com/PM.qst?a=o& d=5001834040?Sheldon W. Liebman, "Character Design in the Picture of Dorian Gray," Studies in the Novel 31.3 (1999): 296.

http://www.questia.com/PM.qst?a=o& d=94769167?Maurizia Boscagli, Eye on the Flesh: Fashions of Masculinity in the Early Twentieth Century (Boulder, CO: Westview Press, 1996) 32.

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Title: greek cultureand the rise of aestheticism in the late victorian culture

  • Total Pages: 9
  • Words: 2981
  • Works Cited:0
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: the book in question that we will be discussing is THE PICTURE OF DORIAN GRAY BY OSCAR WILDE.

Hi, the topic of my paper is How does the PICTURE OF DORIAN GRAY RESPOND TO INTEREST IN GREEK CULTURE AND THE RISE OF AESTHETICISM IN THE LATE VICTORIAN CULTURE? pleae note. the paper should include a single sentence abstact that describes the argument of the paper, printed at the top of the first page of the paper. an opening paragraph that contains within it the paper's argument or thesis statement. the paper should include discusion with complete reference and citation of at leat 8 research sources that place the argument of my paper in the context of what others have written. sources must iclude books articles or chapters in books and journal articles. proper MLA citation.

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Works Cited:

Works Cited:

1. Alder, Mortimer J. Six Great Ideas. New York: Simon and Schuster, 1981.

2. Aristotle. The Nichomachean Ethics. New York: Oxford, 1998.

3. Conrad, Joseph. Heart of Darkness and The Secret Sharer. New York: Bantam Books, 1981.

4. Harmon, William and Hugh Holman. A Handbook to Literature: Ninth Edition. Upper Saddle River: Prentice Hall Publishing, 2003.

5. McGreal, Ian P. Great Thinkers of the Western World. New York: Harper Collins, 1992.

6. Pater, Walter and Oscar Wilde. "Art for Art's Sake." Arts Education Policy Review, Vol. 104, Iss. 5.

7. Wilde, Oscar. Literary Criticism of Oscar Wilde. Lincoln: Bison Books, 1968.

8. Wilde, Oscar. The Portable Oscar Wilde. New York: Penguin Books, 1981.

Wilde, Oscar. Literary Criticism of Oscar Wilde. Lincoln: Bison Books, 1968. Page, 233.

McGreal, Ian P. Great Thinkers of the Western World. New York: Harper Collins, 1992. Page, 283.

Wilde, Oscar. The Portable Oscar Wilde. New York: Penguin Books, 1981. Page, 139.

Harmon, William and Hugh Holman. A Handbook to Literature: Ninth Edition. Upper Saddle River: Prentice Hall Publishing, 2003. Page, 7.

Wilde 1968, 236.

Alder, Mortimer J. Six Great Ideas. New York: Simon and Schuster, 1981. Page, 105.

Wilde 1981, 286.

Wilde 1981, 126.

Aristotle. The Nichomachean Ethics. New York: Oxford, 1998. Page, 15.

Aristotle, 17.

Aristotle, 25.

Pater, Walter and Oscar Wilde. "Art for Art's Sake." Arts Education Policy Review, Vol. 104, Iss. 5. Pages, 29-31.

Wilde 1981, 382.

Conrad, Joseph. Heart of Darkness and The Secret Sharer. New York: Bantam Books, 1981. Page, vii.

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Title: Master Thesis Literature 51 Authors Oscar Wilde rebellion of his themes and morality in comparrison to the society of the time

  • Total Pages: 17
  • Words: 4795
  • Bibliography:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Below is a copy of the report, suggested bibliography and working title I handed in as an approved structure, please work as closely to this as possible. Use any of Oscar wilde's writings.
Referencing in British Standard Numeric please...

Oscar Wilde, the 56;conformist rebel57;: the extent to which his work contains an inherent contradiction, pointing out the folly of his contemporary society and expressing values contrary to the social norm or expectation, whilst being published, performed and appreciated within that society.
Summary of Dissertation Scope:

The dissertation will discuss the central image of Wilde as a figure of contradiction and paradox. What reading of many biographies of Wilde57;s life and critiques of his work has gleaned, is that the reality of his image is one of inconsistent value. 56;Wilde blurs the edges and hides behind a non-alignment with his own utterances.57; Through examination of the social and moral standards of the time in which he was writing, his writing style and strong philosophical element to his work, and his dramatic personal life, I will attempt to highlight many of the contradictions between both his life and his work, his life and his society, and most importantly, his work and his society.
Chapter: 56;Elitist, classist, sexist, racist 51; A bigot condemning bigotry?57;
I propose to focus one chapter on Wilde57;s inherent hypocrisy in relation to the values of the society in which he lived, by discussing the probability of his bigotry in relation to certain areas of prejudice which did and did not relate to his lifestyle. The title of the chapter is posed in the form of a question as I plan to present arguments both for and against this theory (as is the way with contradicting evidence). There are elements of his work which particularly relate to the discussion of 56;elitism57;, both in the sense of basic snobbery and classism, and also to a deeper extent in relation to an appreciation of art and attitudes to the ability for learning and intellect. Similarly, the attitudes to women is something that is given less weight in the vast body of work on Wilde, mainly because his homosexuality was a such a defining characteristic in his relationship with society. However, the sexist values bestowed on women by the society of the period, are casually reflected in his work and in his direct discussion of women goes so far as to highlight the sexism of their lower gender status without the apparent irony which would induce his contemporary audience to think twice. A modern reading of texts such as The Picture of Dorian Gray and An Ideal Husband offer up much interesting material on Wilde57;s philosophies surrounding general Elitism and the place of the 56;fairer sex57;.
Chapter: 56;Vanity and social validation 51; biting the hand that feeds him?57;
60;There is only one thing in the world worse than being talked about, and that is not being talked about.61;
Another chapter will focus on the importance of the ideals of beauty, both in art and of the human form. It will be important here to talk about physical beauty and how a preoccupation with it is a highly influencing factor on Wilde57;s personality and possible feelings of inadequacy or compensation. There is an extent to which ideas of 56;age-ism57; and the elitism of the beautiful will link in with ideas from the previous chapter. Additionally, as a wider link to the beauty of art, the chapter will associate his role as artist with his own ego and how an appreciation of his work fuelled such. The most effective work in which to exemplify a discussion of these points will be The Picture of Dorian Gray.
Chapter: 56;The spectrum of human morality57;.
60;Sin is the only real colour-element left in modern life.61;
Given that Wilde is hailed as a great philosopher, the most important issue may be his general attitudes to morality. Although often defying the conventions of stock values of the contemporary Christian morality, it is suggested that the alternative moral viewpoints expressed in some of his work are the very element which draws (and drew a contemporary audience) into the escapist aspect of his writing. The irony however, and overriding contradiction of his life, is that what was appreciated about identification or empathy with characters of low moral fibre and a pleasure seeking ideal within his work, was repellent to his contemporaries when tied in with his personal life. The main methods of discussion here will be in relation to characterisation of figures of his literature like Lord Herny Wotton (The Picture of Dorian Gray), and Algernon 56;Algie57; Moncrieff (The Importance of Being Ernest), including some general theory on the attraction of evil or shady characters and the attractions of escapism in literature; contrasted with the scandals and social downfall of his own life, particularly surrounding his trials and jail sentence.

BIBLIOGRAPHY

Wilde, O. Holland, V. (ed.) The Complete Illustrated Works. London: Bounty Books. 1986.
Raby, P. (ed.) The Cambridge Companion to Oscar Wilde. Cambridge: Cambridge University Press. 1997.
Shewan, R. Oscar Wilde: Art and Egotism. London & Basingstoke: Macmillan Press. 1977.
Nicholls, M. The Importance of Being Oscar. London: Robson Books. 1980.
Ojala, A. Astheticism and Oscar Wilde: Part II, Literary Style. Helsinki. 1955.
Varty, A. A Preface to Oscar Wilde. New York: Longman. 1998.
Warwick, A. Oscar Wilde. Devon: Northcote House Publishers. 2007.
McKenna, N. The Secret Life of Oscar Wilde. London: Arrow Books Ltd. 2004.
Ellmann, R. Oscar Wilde. London: Penguin Books. 1988.
Harris, F. Oscar Wilde: His Life and Confessions. London: Wordsworth Editions. 1938.
Holland, M. (ed.) Oscar Wilde: A Life in Letters. New York: Fourth Estate. (2003).
Clark Amor, A. Mrs. Oscar Wilde: A Woman of Some Importance. Sidgwick & Jackson. 1983.
Foldy, M.S. The Trials of Oscar Wilde: Deviance, Morality and Late-Victorian Society. New Haven: Yale University Press. 1997.
Nunokawa, J. (1996) 56;The Importance of Being Bored: the dividends of ennui in The Picture of Dorian Gray57;. Studies in the Novel. Vol. 28. Questia [Online]. Avaliable at: www.questia.com. (Accessed: 23 Nov 2007).
Lesjak, C. 56;Utopia, Use and the Everyday: Oscar Wilde and a New Economy of Pleasure57;. ELH, Vol. 67, No. 1. (Spring 2000). Pp. 17951;204. JSTOR [Online] Avaliable at: http://wf2dnvr11.webfeat.org/. (Accessed: 24 Nov 2007).
Adut, A. 56;A Theory of Scandal: Victorians, Homosexuality and the Fall of Oscar Wilde57;. The American Journal of Sociology, Vol. 111, No. 1. (July 2005), pp.213-248. JSTOR [Online] Avaliable at: http://wf2dnvr11.webfeat.org/ (Accessed: 24 Nov 2007).
Stetz, M. D. 56;The Bi-Social Oscar Wilde and 60;Modern61; Women57;. Nineteenth Century Literature. 2001. JSTOR [Online] Avaliable at: http://wf2dnvr11.webfeat.org/ (Accessed: 24 Nov 2007).

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Clausson, Nils (2003) Culture and Corruption": Paterian Self-Development vs. Gothic Degeneration in Oscar Wilde's the Picture of Dorian Gray. Southern Illinois University at Edwardsville Fall 2003. Online available at http://findarticles.com/p/articles/mi_qa3708/is_200310/ai_n9329138/print?tag=artBody;col1

Conen, Simon (2000) Social criticism in Oscar Wilde's Lady Windermere's Fan University of Trier 2000 Archive No.: V17672

McCauley, the Life and Works of Oscar Wilde 30 Dec 2003. www.skoletorget.no.

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Title: Multiple topics

  • Total Pages: 4
  • Words: 1453
  • Sources:0
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: Write an essay (1,000 words, double-spaced) in which you respond to one of the following prompts. Do not use outside sources for this assignment. Each essay should be organized around your answers to the questions posed in the prompt. You will be evaluated based on your understanding of the novels as well as the depth of your thinking about the issues raised in the texts.



1. In both Notes from the Underground and The Picture of Dorian Gray a female character deeply affects the protagonist. Compare Doystoyevski’s use of Liza and Wilde’s use of Sibyl Vane in both texts. In each case, what does the female character reveal about the protagonist? How does this revelation connect to the broader themes in the novels?



2. Compare the formal elements (i.e., how the story is told, how it is framed, etc.) in Notes from the Underground and The Picture of Dorian Gray. Is one method more effective than the other at telling the story or conveying a theme?



3. Compare the main philosophical themes from Notes from the Underground and The Picture of Dorian Gray. What does each text tell us about contemporary (meaning modern or postmodern) culture?






Some tips:

Use a title: it helps to focus your paper.
Number your pages in the upper right-hand corner.
Make sure address each section of the prompt.
Underline or italicize the titles of books or plays.
Use quotations from the texts to support your claims.
If you use a long, block quotation, make sure there is a reason for drawing your reader’s attention to that passage. Pay adequate attention to explaining the significance of the quotation to your argument.
Proofread your work.

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Works Cited

Wilde, Oscar. The Picture of Dorian Gray. Mahwah: Watermill Press. 1983. Print.

Dostoyevsky, Fyodr. Notes for the Underground. www.etextvirginia.edu. 1864. Web. http://etext.virginia.edu/etcbin/toccer-new2?id=DosNote.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=all

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