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Instructions for Snakes College Essay Examples

Essay Instructions: Why are snakes able to swallow prey larger than themsleves but lizards generally unable to do so? What are the advantages to this ability and what are three morphological and/or behavioral mechanisms that allow snakes to accomplish this feat? Why do other snake-like organisms (caecilians, glass lizards, sirens) not have these features if swallowing large-sized prey is adaptive?

Please answer each question specifically in the paper and make sure it flows well. For every cited sentence there needs to be at least one sentence of commentary. Thanks!

Excerpt From Essay:

Essay Instructions: I'm taking a psychology class and the assignment is to write a preference essay by selecting something you either strongly like or dislike (e.g., reading, competitive sports, flying, snakes, etc.).

My preference for this essay is I 'like' riding motorcycles.

The essay should be (2-3) page paper in which you:

1. Briefly describe your 'like' or dislike (one to two (1-2) sentences).

2. Describe the subfield (e.g., cognitive psycology, developmental psychology, psychoanalytic psychology, etc.) you believe is best suited for providing psychological insight into you preference(the fact that you like or dislike the thing you do) and why you believe it is so.

3. Discuss how biological bases of behavior (including sensation and perception) have contributed to your preference.

4. Analyze how engaging in or reacting to your preference (e.g., playing competitive sports or encountering a snake) affects your state of consciousness during that engagement.

5. Discuss the role that learning has had on the fact that you like or dislike the thing you described.

Notes to the writer: My first motorcyle was purchased in 1998 and it was a Honda CBR 600


Excerpt From Essay:

Title: Definition Essay

Total Pages: 3 Words: 941 Bibliography: 3 Citation Style: APA Document Type: Essay

Essay Instructions: Write an essay of about 700-750 words in MLA format. Apply the "Development by Definition" technique from English book (provided by scan pg. 30-32). Also apply text of "Nonmoral Nature" by Stephen Jay Gould (provided by scan pg. 1-8).

Begin with a clear definition of the word anthropomorphism in the context of Stephen Jay Gould's "Nonmoral Nature." By applying the term evil to the ichneumon, natural theologians anthropomorphized its behavior as more dangerous than lions, bears, and snakes: "Is it any wonder that ichneumons, not snakes or lions, stood as [a] paramount challenge...? (Gould 640). Cite examples of other predatory animals that are deemed dangerous, often in the language-vicious, malicious, aggressive- used in news reports. Cite a specific example such as the tiger attack during Siegfried and Roy's Las Vegas show, the chimp attack on UTSA student Andrew Oberle, the death of Timothy Treadwell in Grizzly Man, etc. Add at least one quotation from a new report and add at least three quotations from Gould's essay to support your answer.

Essay Format:

Intro- Name author, essay title and explain the theory. Add purpose/forthcoming info.

Body- Offer primary definition. Give supporting details and relevant examples, each linking to the definition.

Conclusion- Restate your intro, summarize points
There are faxes for this order.

Customer is requesting that (Tomar) completes this order.

Excerpt From Essay:

Title: comparative contrastive critical analsis essay

Total Pages: 2 Words: 753 Sources: 3 Citation Style: MLA Document Type: Research Paper



A Worn Path
BY Eudora Welty

It was December—a bright frozen day in the early morning. Far out in the country there was an old Negro woman with her head tied red rag, coming along a path through the pinewoods. Her name was Phoenix Jackson. She was very old and small and she walked slowly in the dark pine shadows, moving a little from side to side in her steps, with the balanced heaviness and lightness of a pendulum in a grand-father clock. She carried a thin, small cane made from an umbrella, and with this she kept tapping the frozen earth in front of her. This made a grave and persistent noise in the still air, that seemed meditative like the chirping of a solitary little bird.

She wore a dark striped dress reaching down to her shoe tops, and an equally long apron of bleached sugar sacks, with a full pocket: all neat and tidy, but every time she took a step she might have fallen over her shoelaces, which dragged from her unlaced shoes. She looked straight ahead. Her eyes were blue with age. Her skin had a pattern all its own of numberless branching wrinkles and as though a whole little tree stood in the middle of her forehead, but a golden color ran underneath, and the two knobs of her cheeks were illumined by a yellow burning under the dark. Under the red rag her hair came down on her neck in the frailest of ringlets, still black, and with an odor like copper.

Now and then there was a quivering in the thicket. Old Phoenix said, "Out of my way, all you foxes, owls, beetles, jack rabbits, coons and wild animals!. . . Keep out from under these feet, little bob-whites.... Keep the big wild hogs out of my path. Don't let none of those come running my direction. I got a long way." Under her small black-freckled hand her cane, limber as a buggy whip, would switch at the brush as if to rouse up any hiding things.

On she went. The woods were deep and still. The sun made the pine needles almost too bright to look at, up where the wind rocked. The cones dropped as light as feathers. Down in the hollow was the mourning dove—it was not too late for him.

The path ran up a hill. "Seem like there is chains about my feet, time I get this far," she said, in the voice of argument old people keep to use with themselves. "Something always take a hold of me on this hill— pleads I should stay."

After she got to the top she turned and gave a full, severe look behind her where she had come. "Up through pines," she said at length. "Now down through oaks."

Her eyes opened their widest, and she started down gently. But before she got to the bottom of the hill a bush caught her dress.

Her fingers were busy and intent, but her skirts were full and long, so that before she could pull them free in one place they were caught in another. It was not possible to allow the dress to tear. "I in the thorny bush," she said. "Thorns, you doing your appointed work. Never want to let folks pass, no sir. Old eyes thought you was a pretty little green bush."

Finally, trembling all over, she stood free, and after a moment dared to stoop for her cane.

"Sun so high!" she cried, leaning back and looking, while the thick tears went over her eyes. "The time getting all gone here."

At the foot of this hill was a place where a log was laid across the creek.

"Now comes the trial," said Phoenix.

Putting her right foot out, she mounted the log and shut her eyes. Lifting her skirt, leveling her cane fiercely before her, like a festival figure in some parade, she began to march across. Then she opened her eyes and she was safe on the other side.

"I wasn't as old as I thought," she said.

But she sat down to rest. She spread her skirts on the bank around her and folded her hands over her knees. Up above her was a tree in a pearly cloud of mistletoe. She did not dare to close her eyes, and when a little boy brought her a plate with a slice of marble-cake on it she spoke to him. "That would be acceptable," she said. But when she went to take it there was just her own hand in the air.

So she left that tree, and had to go through a barbed-wire fence. There she had to creep and crawl, spreading her knees and stretching her fingers like a baby trying to climb the steps. But she talked loudly to herself: she could not let her dress be torn now, so late in the day, and she could not pay for having her arm or her leg sawed off if she got caught fast where she was.

At last she was safe through the fence and risen up out in the clearing. Big dead trees, like black men with one arm, were standing in the purple stalks of the withered cotton field. There sat a buzzard.

"Who you watching?"

In the furrow she made her way along.

"Glad this not the season for bulls," she said, looking sideways, "and the good Lord made his snakes to curl up and sleep in the winter. A pleasure I don't see no two-headed snake coming around that tree, where it come once. It took a while to get by him, back in the summer."

She passed through the old cotton and went into a field of dead corn. It whispered and shook and was taller than her head. "Through the maze now," she said, for there was no path.

Then there was something tall, black, and skinny there, moving before her.

At first she took it for a man. It could have been a man dancing in the field. But she stood still and listened, and it did not make a sound. It was as silent as a ghost.

"Ghost," she said sharply, "who be you the ghost of? For I have heard of nary death close by."

But there was no answer--only the ragged dancing in the wind.

She shut her eyes, reached out her hand, and touched a sleeve. She found a coat and inside that an emptiness, cold as ice.

"You scarecrow," she said. Her face lighted. "I ought to be shut up for good," she said with laughter. "My senses is gone. I too old. I the oldest people I ever know. Dance, old scarecrow," she said, "while I dancing with you."

She kicked her foot over the furrow, and with mouth drawn down, shook her head once or twice in a little strutting way. Some husks blew down and whirled in streamers about her skirts.

Then she went on, parting her way from side to side with the cane, through the whispering field. At last she came to the end, to a wagon track where the silver grass blew between the red ruts. The quail were walking around like pullets, seeming all dainty and unseen.

"Walk pretty," she said. "This the easy place. This the easy going."

She followed the track, swaying through the quiet bare fields, through the little strings of trees silver in their dead leaves, past cabins silver from weather, with the doors and windows boarded shut, all like old women under a spell sitting there. "I walking in their sleep," she said, nodding her head vigorously.

In a ravine she went where a spring was silently flowing through a hollow log. Old Phoenix bent and drank. "Sweet-gum makes the water sweet," she said, and drank more. "Nobody know who made this well, for it was here when I was born."

The track crossed a swampy part where the moss hung as white as lace from every limb. "Sleep on, alligators, and blow your bubbles." Then the track went into the road.

Deep, deep the road went down between the high green-colored banks. Overhead the live-oaks met, and it was as dark as a cave.

A black dog with a lolling tongue came up out of the weeds by the ditch. She was meditating, and not ready, and when he came at her she only hit him a little with her cane. Over she went in the ditch, like a little puff of milkweed.

Down there, her senses drifted away. A dream visited her, and she reached her hand up, but nothing reached down and gave her a pull. So she lay there and presently went to talking. "Old woman," she said to herself, "that black dog come up out of the weeds to stall you off, and now there he sitting on his fine tail, smiling at you."

A white man finally came along and found her—a hunter, a young man, with his dog on a chain.

"Well, Granny!" he laughed. "What are you doing there?"

"Lying on my back like a June-bug waiting to be fumed over, mister," she said, reaching up her hand.

He lifted her up, gave her a swing in the air, and set her down. "Anything broken, Granny?"

"No sir, them old dead weeds is springy enough," said Phoenix, when she had got her breath. "I thank you for your trouble."

"Where do you live, Granny?" he asked, while the two dogs were growling at each other.

"Away back yonder, sir, behind the ridge. You can't even see it from here."

"On your way home?"

"No sir, I going to town."

"Why, that's too far! That's as far as I walk when I come out myself, and I get something for my trouble." He patted the stuffed bag he carried, and there hung down a little closed claw. It was one of the bob-whites, with its beak hooked bitterly to show it was dead. "Now you go on home, Granny!"

"I bound to go to town, mister," said Phoenix. "The time come around."

He gave another laugh, filling the whole landscape. "I know you old colored people! Wouldn't miss going to town to see Santa Claus!"

But something held old Phoenix very still. The deep lines in her face went into a fierce and different radiation. Without warning, she had seen with her own eyes a flashing nickel fall out of the man's pocket onto the ground.

"How old are you, Granny?" he was saying.

"There is no telling, mister," she said, "no telling."

Then she gave a little cry and clapped her hands and said, "Git on away from here, dog! Look! Look at that dog!" She laughed as if in admiration. "He ain't scared of nobody. He a big black dog." She whispered, "Sic him!"

"Watch me get rid of that cur," said the man. "Sic him, Pete! Sic him!"

Phoenix heard the dogs fighting, and heard the man running and throwing sticks. She even heard a gunshot. But she was slowly bending forward by that time, further and further forward, the lids stretched down over her eyes, as if she were doing this in her sleep. Her chin was lowered almost to her knees. The yellow palm of her hand came out from the fold of her apron. Her fingers slid down and along the ground under the piece of money with the grace and care they would have in lifting an egg from under a setting hen. Then she slowly straightened up, she stood erect, and the nickel was in her apron pocket. A bird flew by. Her lips moved. "God watching me the whole time. I come to stealing."

The man came back, and his own dog panted about them. "Well, I scared him off that time," he said, and then he laughed and lifted his gun and pointed it at Phoenix.

She stood straight and faced him.

"Doesn't the gun scare you?" he said, still pointing it.

"No, sir, I seen plenty go off closer by, in my day, and for less than what I done," she said, holding utterly still.

He smiled, and shouldered the gun. "Well, Granny," he said, "you must be a hundred years old, and scared of nothing. I'd give you a dime if I had any money with me. But you take my advice and stay home, and nothing will happen to you."

"I bound to go on my way, mister," said Phoenix. She inclined her head in the red rag. Then they went in different directions, but she could hear the gun shooting again and again over the hill.

She walked on. The shadows hung from the oak trees to the road like curtains. Then she smelled wood-smoke, and smelled the river, and she saw a steeple and the cabins on their steep steps. Dozens of little black children whirled around her. There ahead was Natchez shining. Bells were ringing. She walked on.

In the paved city it was Christmas time. There were red and green electric lights strung and crisscrossed everywhere, and all turned on in the daytime. Old Phoenix would have been lost if she had not distrusted her eyesight and depended on her feet to know where to take her.

She paused quietly on the sidewalk where people were passing by. A lady came along in the crowd, carrying an armful of red-, green- and silver-wrapped presents; she gave off perfume like the red roses in hot summer, and Phoenix stopped her.

"Please, missy, will you lace up my shoe?" She held up her foot.

"What do you want, Grandma?"

"See my shoe," said Phoenix. "Do all right for out in the country, but wouldn't look right to go in a big building." "Stand still then, Grandma," said the lady. She put her packages down on the sidewalk beside her and laced and tied both shoes tightly.

"Can't lace 'em with a cane," said Phoenix. "Thank you, missy. I doesn't mind asking a nice lady to tie up my shoe, when I gets out on the street."

Moving slowly and from side to side, she went into the big building, and into a tower of steps, where she walked up and around and around until her feet knew to stop.

She entered a door, and there she saw nailed up on the wall the document that had been stamped with the gold seal and framed in the gold frame, which matched the dream that was hung up in her head.

"Here I be," she said. There was a fixed and ceremonial stiffness over her body.

"A charity case, I suppose," said an attendant who sat at the desk before her.

But Phoenix only looked above her head. There was sweat on her face, the wrinkles in her skin shone like a bright net.

"Speak up, Grandma," the woman said. "What's your name? We must have your history, you know. Have you been here before? What seems to be the trouble with you?"

Old Phoenix only gave a twitch to her face as if a fly were bothering her.

"Are you deaf?" cried the attendant.

But then the nurse came in.

"Oh, that's just old Aunt Phoenix," she said. "She doesn't come for herself—she has a little grandson. She makes these trips just as regular as clockwork. She lives away back off the Old Natchez Trace." She bent down. "Well, Aunt Phoenix, why don't you just take a seat? We won't keep you standing after your long trip." She pointed.

The old woman sat down, bolt upright in the chair.

"Now, how is the boy?" asked the nurse.

Old Phoenix did not speak.

"I said, how is the boy?"

But Phoenix only waited and stared straight ahead, her face very solemn and withdrawn into rigidity.

"Is his throat any better?" asked the nurse. "Aunt Phoenix, don't you hear me? Is your grandson's throat any better since the last time you came for the medicine?"

With her hands on her knees, the old woman waited, silent, erect and motionless, just as if she were in armor.

"You mustn't take up our time this way, Aunt Phoenix," the nurse said. "Tell us quickly about your grandson, and get it over. He isn't dead, is he?'

At last there came a flicker and then a flame of comprehension across her face, and she spoke.

"My grandson. It was my memory had left me. There I sat and forgot why I made my long trip."

"Forgot?" The nurse frowned. "After you came so far?"

Then Phoenix was like an old woman begging a dignified forgiveness for waking up frightened in the night. "I never did go to school, I was too old at the Surrender," she said in a soft voice. "I'm an old woman without an education. It was my memory fail me. My little grandson, he is just the same, and I forgot it in the coming."

"Throat never heals, does it?" said the nurse, speaking in a loud, sure voice to old Phoenix. By now she had a card with something written on it, a little list. "Yes. Swallowed lye. When was it?—January—two, three years ago—"

Phoenix spoke unasked now. "No, missy, he not dead, he just the same. Every little while his throat begin to close up again, and he not able to swallow. He not get his breath. He not able to help himself. So the time come around, and I go on another trip for the soothing medicine."

"All right. The doctor said as long as you came to get it, you could have it," said the nurse. "But it's an obstinate case."

"My little grandson, he sit up there in the house all wrapped up, waiting by himself," Phoenix went on. "We is the only two left in the world. He suffer and it don't seem to put him back at all. He got a sweet look. He going to last. He wear a little patch quilt and peep out holding his mouth open like a little bird. I remembers so plain now. I not going to forget him again, no, the whole enduring time. I could tell him from all the others in creation."

"All right." The nurse was trying to hush her now. She brought her a bottle of medicine. "Charity," she said, making a check mark in a book.

Old Phoenix held the bottle close to her eyes, and then carefully put it into her pocket.

"I thank you," she said.

"It's Christmas time, Grandma," said the attendant. "Could I give you a few pennies out of my purse?"

"Five pennies is a nickel," said Phoenix stiffly.

"Here's a nickel," said the attendant.

Phoenix rose carefully and held out her hand. She received the nickel and then fished the other nickel out of her pocket and laid it beside the new one. She stared at her palm closely, with her head on one side.

Then she gave a tap with her cane on the floor.

"This is what come to me to do," she said. "I going to the store and buy my child a little windmill they sells, made out of paper. He going to find it hard to believe there such a thing in the world. I'll march myself back where he waiting, holding it straight up in this hand."

She lifted her free hand, gave a little nod, turned around, and walked out of the doctor's office. Then her slow step began on the stairs, going down.


Why I Live at the P.O.
by Eudora Welty

I WAS GETTING ALONG FINE with Mama, Papa-Daddy and Uncle Rondo until my sister Stella-Rondo just separated from her husband and came back home again. Mr. Whitaker! Of course I went with Mr. Whitaker first, when he first appeared here in China Grove, taking "Pose Yourself" photos, and Stella-Rondo broke us up. Told him I was one-sided. Bigger on one side than the other, which is a deliberate, calculated falsehood: I'm the same. Stella-Rondo is exactly twelve months to the day younger than I am and for that reason she's spoiled.
She's always had anything in the world she wanted and then she'd throw it away. Papa-Daddy gave her this gorgeous Add-a-Pearl necklace when she was eight years old and she threw it away playing baseball when she was nine, with only two pearls.
So as soon as she got married and moved away from home the first thing she did was separate! From Mr. Whitaker! This photographer with the popeyes she said she trusted. Came home from one of those towns up in Illinois and to our complete surprise brought this child of two.
Mama said she like to made her drop dead for a second. "Here you had this marvelous blonde child and never so much as wrote your mother a word about it," says Mama. "I'm thoroughly ashamed of you." But of course she wasn't.
Stella-Rondo just calmly takes off this hat, I wish you could see it. She says, "Why, Mama, Shirley-T.'s adopted, I can prove it."
"How?" says Mama, but all I says was, "H'm!" There I was over the hot stove, trying to stretch two chickens over five people and a completely unexpected child into the bargain, without one moment's notice.
"What do you mean 'H'm!'?" says Stella-Rondo, and Mama says, "I heard that, Sister."
I said that oh, I didn't mean a thing, only that whoever Shirley-T. was, she was the spit-image of Papa-Daddy if he'd cut off his beard, which of course he'd never do in the world. Papa-Daddy's Mama's papa and sulks.
Stella-Rondo got furious! She said, "Sister, I don't need to tell you you got a lot of nerve and always did have and I'll thank you to make no future reference to my adopted child whatsoever."
"Very well," I said. "Very well, very well. Of course I noticed at once she looks like Mr. Whitaker's side too. That frown. She looks like a cross between Mr. Whitaker and Papa-Daddy."
"Well, all I can say is she isn't."
"She looks exactly like Shirley Temple to me," says Mama, but Shirley-T. just ran away from her.
So the first thing Stella-Rondo did at the table was turn Papa-Daddy against me.
"Papa-Daddy," she says. He was trying to cut up his meat. "Papa-Daddy!" I was taken completely by surprise. Papa-Daddy is about a million years old and's got this long-long beard. "Papa-Daddy, Sister says she fails to understand why you don't cut off your beard."
So Papa-Daddy l-a-y-s down his knife and fork! He's real rich. Mama says he is, he says he isn't. So he says, "Have I heard correctly? You don't understand why I don't cut off my beard?"
"Why," I says, "Papa-Daddy, of course I understand, I did not say any such of a thing, the idea!"
He says, "Hussy!"
I says, "Papa-Daddy, you know I wouldn't any more want you to cut off your beard than the man in the moon. It was the farthest thing from my mind! Stella-Rondo sat there and made that up while she was eating breast of chicken."
But he says, "So the postmistress fails to understand why I don't cut off my beard. Which job I got you through my influence with the government. 'Bird's nest' is that what you call it?"
Not that it isn't the next to smallest P.O. in the entire state of Mississippi.
I says, "Oh, Papa-Daddy," I says, "I didn't say any such of a thing, I never dreamed it was a bird's nest, I have always been grateful though this is the next to smallest P.O. in the state of Mississippi, and I do not enjoy being referred to as a hussy by my own grandfather."
But Stella-Rondo says, "Yes, you did say it too. Anybody in the world could of heard you, that had ears."
"Stop right there," says Mama, looking at me.
So I pulled my napkin straight back through the napkin ring and left the table.
As soon as I was out of the room Mama says, "Call her back, or she'll starve to death," but Papa-Daddy says, "This is the beard I started growing on the Coast when I was fifteen years old.'' He would of gone on till nightfall if Shirley-T. hadn't lost the Milky Way she ate in Cairo.
So Papa-Daddy says, "I am going out and lie in the hammock, and you can all sit here and remember my words: I'll never cut off my beard as long as I live, even one inch, and I don't appreciate it in you at all." Passed right by me in the hall and went straight out and got in the hammock.
It would be a holiday. It wasn't five minutes before Uncle Rondo suddenly appeared in the hall in one of Stella-Rondo's flesh-colored kimonos, all cut on the bias, like something Mr. Whitaker probably thought was gorgeous.
"Uncle Rondo!" I says. "I didn't know who that was! Where are you going?"
"Sister," he says, "get out of my way, I'm poisoned."
"If you're poisoned stay away from Papa-Daddy," I says. "Keep out of the hammock. Papa-Daddy will certainly beat you on the head if you come within forty miles of him. He thinks I deliberately said he ought to cut off his beard after he got me the P.O., and I've told him and told him and told him, and he acts like he just don't hear me. Papa-Daddy must of gone stone deaf.'
"He picked a fine day to do it then," says Uncle Rondo, and before you could say "Jack Robinson" flew out in the yard.
What he'd really done, he'd drunk another bottle of that prescription. He does it every single Fourth of July as sure as shooting, and it's horribly expensive. Then he falls over in the hammock and snores. So he insisted on zigzagging right on out to the hammock, looking like a half-wit.
Papa-Daddy woke up with this horrible yell and right there without moving an inch he tried to turn Uncle Rondo against me. I heard every word he said. Oh, he told Uncle Rondo I didn't learn to read till I was eight years old and he didn't see how in the world I ever got the mail put up at the P.O., much less read it all, and he said if Uncle Rondo could only fathom the lengths he had gone to to get me that job! And he said on the other hand he thought Stella-Rondo had a brilliant mind and deserved credit for getting out of town. All the time he was just lying there swinging as pretty as you please and looping out his beard, and poor Uncle Rondo was pleading with him to slow down the hammock, it was making him as dizzy as a witch to watch it. But that's what Papa-Daddy likes about a hammock. So Uncle Rondo was too dizzy to get turned against me for the time being. He's Mama's only brother and is a good case of a one-track mind. Ask anybody. A certified pharmacist.
Just then I heard Stella-Rondo raising the upstairs window. While she was married she got this peculiar idea that it's cooler with the windows shut and locked. So she has to raise the window before she can make a soul hear her outdoors.
So she raises the window and says, "Oh!" You would have thought she was mortally wounded.
Uncle Rondo and Papa-Daddy didn't even look up, but kept right on with what they were doing. I had to laugh.
I flew up the stairs and threw the door open! I says, "What in the wide world's the matter, Stella-Rondo? You mortally wounded?"
"No," she says, "I am not mortally wounded but I wish you would do me the favor of looking out that window there and telling me what you see."
So I shade my eyes and look out the window.
"I see the front yard," I says.
"Don't you see any human beings?'' she says.
"I see Uncle Rondo trying to run Papa-Daddy out of the hammock," I says. "Nothing more. Naturally, it's so suffocating-hot in the house, with all the windows shut and locked, everybody who cares to stay in their right mind will have to go out and get in the hammock before the Fourth of July is over."
"Don't you notice anything different about Uncle Rondo?" asks Stella-Rondo.
"Why, no, except he's got on some terrible-looking flesh-colored contraption I wouldn't be found dead in, is all I can see," I says.
"Never mind, you won't be found dead in it, because it happens to be part of my trousseau, and Mr. Whitaker took several dozen photographs of me in it," says Stella-Rondo. "What on earth could Uncle Rondo mean by wearing part of my trousseau out in the broad open daylight without saying so much as 'Kiss my foot,' knowing I only got home this morning after my separation and hung my negligee up on the bathroom door, just as nervous as I could be?"
"I'm sure I don't know, and what do you expect me to do about it?" I says. "Jump out the window?"
"No, I expect nothing of the kind. I simply declare that Uncle Rondo looks like a fool in it, that's all," she says. "It makes me sick to my stomach."
"Well, he looks as good as he can," I says. "As good as anybody in reason could." I stood up for Uncle Rondo, please remember. And I said to Stella-Rondo, "I think I would do well not to criticize so freely if I were you and came home with a two-year-old child I had never said a word about, and no explanation whatever about my separation."
"I asked you the instant I entered this house not to refer one more time to my adopted child, and you gave me your word of honor you would not," was all Stella-Rondo would say, and started pulling out every one of her eyebrows with some cheap Kress tweezers.
So I merely slammed the door behind me and went down and made some green-tomato pickle. Somebody had to do it. Of course Mama had turned both the Negroes loose; she always said no earthly power could hold one anyway on the Fourth of July, so she wouldn't even try. It turned out that Jaypan fell in the lake and came within a very narrow limit of drowning.
So Mama trots in. Lifts up the lid and says, "H'm! Not very good for your Uncle Rondo in his precarious condition, I must say. Or poor little adopted Shirley-T. Shame on you!"
That made me tired. I says, "Well, Stella-Rondo had better thank her lucky stars it was her instead of me came trotting in with that very peculiar-looking child. Now if it had been me that trotted in from Illinois and brought a peculiar-looking child of two, I shudder to think of the reception I'd of got, much less controlled the diet of an entire family."
"But you must remember, Sister, that you were never married to Mr. Whitaker in the first place and didn't go up to Illinois to live," says Mama, shaking a spoon in my face. "If you had I would of been just as overjoyed to see you and your little adopted girl as I was to see Stella-Rondo, when you wound up with your separation and came on back home."
''You would not," I says.
"Don't contradict me, I would," says Mama.
But I said she couldn't convince me though she talked till she was blue in the face. Then I said, "Besides, you know as well as I do that that child is not adopted."
"She most certainly is adopted," says Mama, stiff as a poker.
I says, "Why, Mama, Stella-Rondo had her just as sure as anything in this world, and just too stuck up to admit it."
"Why, Sister," said Mama. "Here I thought we were going to have a pleasant Fourth of July, and you start right out not believing a word your own baby sister tells you!"
"Just like Cousin Annie Flo. Went to her grave denying the facts of life," I remind Mama.
"I told you if you ever mentioned Annie Flo's name I'd slap your face," says Mama, and slaps my face.
"All right, you wait and see," I says.
"I," says Mama, "I prefer to take my children's word for anything when it's humanly possible." You ought to see Mama, she weighs two hundred pounds and has real tiny feet.
Just then something perfectly horrible occurred to me.
"Mama," I says, "can that child talk?" I simply had to whisper! "Mama, I wonder if that child can be you know in any way? Do you realize," I says, "that she hasn't spoken one single, solitary word to a human being up to this minute? This is the way she looks," I says, and I looked like this.
Well, Mama and I just stood there and stared at each other. It was horrible!
"I remember well that Joe Whitaker frequently drank like a fish," says Mama. "I believed to my soul he drank chemicals." And without another word she marches to the foot of the stairs and calls Stella-Rondo.
"Stella-Rondo? O-o-o-o-o! Stella-Rondo!"
"What?" says Stella-Rondo from upstairs. Not even the grace to get up off the bed.
"Can that child of yours talk?" asks Mama.
Stella-Rondo says, "Can she what?"
"Talk! Talk!" says Mama. "Burdyburdyburdyburdy!"
So Stella-Rondo yells back, "Who says she can't talk?"
"Sister says so," says Mama.
"You didn't have to tell me, I know whose word of honor don't mean a thing in this house," says Stella-Rondo.
And in a minute the loudest Yankee voice I ever heard in my life yells out, "OE'm Pop-OE the Sailor-r-r-r Ma-a-an!" and then somebody jumps up and down in the upstairs hall. In another second the house would of fallen down.
"Not only talks, she can tap-dance!" calls Stella-Rondo. "Which is more than some people I won't name can do."
"Why, the little precious darling thing!" Mama says, so surprised. "Just as smart as she can be!" Starts talking baby talk right there. Then she turns on me. "Sister, you ought to be thoroughly ashamed! Run upstairs this instant and apologize to Stella-Rondo and Shirley-T."
"Apologize for what?" I says. "I merely wondered if the child was normal, that's all. Now that she's proved she is, why, I have nothing further to say."
But Mama just turned on her heel and flew out, furious. She ran right upstairs and hugged the baby. She believed it was adopted. Stella-Rondo hadn't done a thing but turn her against me from upstairs while I stood there helpless over the hot stove. So that made Mama, Papa-Daddy and the baby all on Stella-Rondo's side.
Next, Uncle Rondo.
I must say that Uncle Rondo has been marvelous to me at various times in the past and I was completely unprepared to be made to jump out of my skin, the way it turned out. Once Stella-Rondo did something perfectly horrible to him broke a chain letter from Flanders Field and he took the radio back he had given her and gave it to me. Stella-Rondo was furious! For six months we all had to call her Stella instead of Stella-Rondo, or she wouldn't answer. I always thought Uncle Rondo had all the brains of the entire family. Another time he sent me to Mammoth Cave, with all expenses paid.
But this would be the day he was drinking that prescription, the Fourth of July.
So at supper Stella-Rondo speaks up and says she thinks Uncle Rondo ought to try to eat a little something. So finally Uncle Rondo said he would try a little cold biscuits and ketchup, but that was all. So she brought it to him.
"Do you think it wise to disport with ketchup in Stella-Rondo's flesh-colored kimono?'' I says. Trying to be considerate! If Stella-Rondo couldn't watch out for her trousseau, somebody had to.
"Any objections?" asks Uncle Rondo, just about to pour out all the ketchup.
"Don't mind what she says, Uncle Rondo," says Stella-Rondo. "Sister has been devoting this solid afternoon to sneering out my bedroom window at the way you look."
"What's that?" says Unde Rondo. Uncle Rondo has got the most terrible temper in the world. Anything is liable to make him tear the house down if it comes at the wrong time.
So Stella-Rondo says, "Sister says, 'Uncle Rondo certainly does look like a fool in that pink kimono!' "
Do you remember who it was really said that?
Unde Rondo spills out all the ketchup and jumps out of his chair and tears off the kimono and throws it down on the dirty floor and puts his foot on it. It had to be sent all the way to Jackson to the cleaners and re-pleated.
"So that's your opinion of your Uncle Rondo, is it?" he says. "I look like a fool, do I? Well, that's the last straw. A whole day in this house with nothing to do, and then to hear you come out with a remark like that behind my back!''
"I didn't say any such of a thing, Uncle Rondo," I says, "and I'm not saying who did, either. Why, I think you look all right. Just try to take care of yourself and not talk and eat at the same time," I says. "I think you better go lie down."
"Lie down my foot," says Uncle Rondo. I ought to of known by that he was fixing to do something perfectly horrible.
So he didn't do anything that night in the precarious state he was in just played Casino with Mama and Stella-Rondo and Shirley-T. and gave Shirley-T. a nickel with a head on both sides. It tickled her nearly to death, and she called him "Papa." But at 6:30 A.M. the next morning, he threw a whole five-cent package of some unsold one-inch firecrackers from the store as hard as he could into my bedroom and they every one went off. Not one bad one in the string. Anybody else, there'd be one that wouldn't go off.
Well, I'm just terribly susceptible to noise of any kind, the doctor has always told me I was the most sensitive person he had ever seen in his whole life, and I was simply prostrated. I couldn't eat! People tell me they heard it as far as the cemetery, and old Aunt Jep Patterson, that had been holding her own so good, thought it was Judgment Day and she was going to meet her whole family. It's usually so quiet here.
And I'll tell you it didn't take me any longer than a minute to make up my mind what to do. There I was with the whole entire house on Stella-Rondo's side and turned against me. If I have anything at all I have pride.
So I just decided I'd go straight down to the P.O. There's plenty of room there in the back, I says to myself.
Well! I made no bones about letting the family catch on to what I was up to. I didn't try to conceal it.
The first thing they knew, I marched in where they were all playing Old Maid and pulled the electric oscillating fan out by the plug, and everything got real hot. Next I snatched the pillow I'd done the needlepoint on right off the davenport from behind Papa-Daddy. He went ''Ugh!" I beat Stella-Rondo up the stairs and finally found my charm bracelet in her bureau drawer under a picture of Nelson Eddy.
"So that's the way the land lies," says Uncle Rondo. There he was, piecing on the ham. "Well, Sister, I'll be glad to donate my army cot if you got any place to set it up, providing you'll leave right this minute and let me get some peace." Uncle Rondo was in France.
"Thank you kindly for the cot and 'peace' is hardly the word I would select if I had to resort to firecrackers at 6:30 A.M. in a young girl's bedroom," I says back to him. "And as to where I intend to go, you seem to forget my position as postmistress of China Grove, Mississippi," I says. "I've always got the P.O."
Well, that made them all sit up and take notice.
I went out front and started digging up some four-o'clocks to plant around the P.O.
"Ah-ah-ah!" says Mama, raising the window. "Those happen to be my four-o'clocks. Everything planted in that star is mine. I've never known you to make anything grow in your life."
"Very well," I says. "But I take the fern. Even you, Mama, can't stand there and deny that I'm the one watered that fern. And I happen to know where I can send in a box top and get a packet of one thousand mixed seeds, no two the same kind, free."
"Oh, where?" Mama wants to know.
But I says, "Too late. You 'tend to your house, and I'll 'tend to mine. You hear things like that all the time if you know how to listen to the radio. Perfectly marvelous offers. Get anything you want free."
So I hope to tell you I marched in and got that radio, and they could of all bit a nail in two, especially Stella-Rondo, that it used to belong to, and she well knew she couldn't get it back, I'd sue for it like a shot. And I very politely took the sewing-machine motor I helped pay the most on to give Mama for Christmas back in 1929, and a good big calendar, with the first-aid remedies on it. The thermometer and the Hawaiian ukulele certainly were rightfully mine, and I stood on the step-ladder and got all my watermelon-rind preserves and every fruit and vegetable I'd put up, every jar. Then I began to pull the tacks out of the bluebird wall vases on the archway to the dining room.
"Who told you you could have those, Miss Priss?" says Mama, fanning as hard as she could.
"I bought 'em and I'll keep track of 'em," I says. "I'll tack 'em up one on each side the post-office window, and you can see 'em when you come to ask me for your mail, if you're so dead to see 'em."
"Not I! I'll never darken the door to that post office again if I live to be a hundred," Mama says. "Ungrateful child! After all the money we spent on you at the Normal."
"Me either," says Stella-Rondo. "You can just let my mail lie there and rot, for all I care. I'll never come and relieve you of a single, solitary piece."
"I should worry," I says. "And who you think's going to sit down and write you all those big fat letters and postcards, by the way? Mr. Whitaker? Just because he was the only man ever dropped down in China Grove and you got him unfairly is he going to sit down and write you a lengthy correspondence after you come home giving no rhyme nor reason whatsoever for your separation and no explanation for the presence of that child? I may not have your brilliant mind, but I fail to see it."
So Mama says, "Sister, I've told you a thousand times that Stella-Rondo simply got homesick, and this child is far too big to be hers," and she says, "Now, why don't you all just sit down and play Casino?"
Then Shirley-T. sticks out her tongue at me in this perfectly horrible way. She has no more manners than the man in the moon. I told her she was going to cross her eyes like that some day and they'd stick.
"It's too late to stop me now," I says. "You should have tried that yesterday. I'm going to the P.O. and the only way you can possibly see me is to visit me there."
So Papa-Daddy says, "You'll never catch me setting foot in that post office, even if I should take a notion into my head to write a letter some place." He says, "I won't have you reachin' out of that little old window with a pair of shears and cuttin' off any beard of mine. I'm too smart for you!"
"We all are," says Stella-Rondo.
But I said, "If you're so smart, where's Mr. Whitaker?"
So then Uncle Rondo says, "I'll thank you from now on to stop reading all the orders I get on postcards and telling everybody in China Grove what you think is the matter with them," but I says, "I draw my own conclusions and will continue in the future to draw them." I says, "If people want to write their inmost secrets on penny postcards, there's nothing in the wide world you can do about it, Uncle Rondo."
"And if you think we'll ever write another postcard you're sadly mistaken," says Mama.
"Cutting off your nose to spite your face then," I says. "But if you're all determined to have no more to do with the U.S. mail, think of this: What will Stella-Rondo do now, if she wants to tell Mr. Whitaker to come after her?"
"Wah!" says Stella-Rondo. I knew she'd cry. She had a conniption fit right there in the kitchen.
"It will be interesting to see how long she holds out," I says. "And
now I am leaving."
"Good-bye," says Uncle Rondo.
"Oh, I declare," says Mama, "to think that a family of mine should quarrel on the Fourth of July, or the day after, over Stella-Rondo leaving old Mr. Whitaker and having the sweetest little adopted child! It looks like we'd all be glad!"
"Wah!" says Stella-Rondo, and has a fresh conniption fit.
"He left her you mark my words," I says. "That's Mr. Whitaker. I know Mr. Whitaker. After all, I knew him first. I said from the beginning he'd up and leave her. I foretold every single thing that's happened."
"Where did he go?" asks Mama.
"Probably to the North Pole, if he knows what's good for him," I says.
But Stella-Rondo just bawled and wouldn't say another word. She flew to her room and slammed the door.
"Now look what you've gone and done, Sister," says Mama. "You go apologize."
"I haven't got time, I'm leaving," I says.
"Well, what are you waiting around for?" asks Uncle Rondo.
So I just picked up the kitchen clock and marched off, without saying "Kiss my foot" or anything, and never did tell Stella-Rondo good-bye.
There was a girl going along on a little wagon right in front.
"Girl," I says, "come help me haul these things down the hill, I'm going to live in the post office."
Took her nine trips in her express wagon. Uncle Rondo came out on the porch and threw her a nickel.
And that's the last I've laid eyes on any of my family or my family laid eyes on me for five solid days and nights. Stella-Rondo may be telling the most horrible tales in the world about Mr. Whitaker, but I haven't heard them. As I tell everybody, I draw my own conclusions.
But oh, I like it here. It's ideal, as I've been saying. You see, I've got everything cater-cornered, the way I like it. Hear the radio? All the war news. Radio, sewing machine, book ends, ironing board and that great big piano lamp peace, that's what I like. Butter-bean vines planted all along the front where the strings are.
Of course, there's not much mail. My family are naturally the main people in China Grove, and if they prefer to vanish from the face of the earth, for all the mail they get or the mail they write, why, I'm not going to open my mouth. Some of the folks here in town are taking up for me and some turned against me. I know which is which. There are always people who will quit buying stamps just to get on the right side of Papa-Daddy.
But here I am, and here I'll stay. I want the world to know I'm happy.
And if Stella-Rondo should come to me this minute, on bended knees, and attempt to explain the incidents of her life with Mr. Whitaker, I'd simply put my fingers in both my ears and refuse to listen.









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