The ultimate proof of the film's tendency to utilize hyperbole to portray the author as someone whose morality was questionable due to his own pursuit of success, wealth and fame lies in the quantity of interactions that Capote had with the two prisoners. There is certainly evidence in Clarke's biography that implies there was a fondness and physical attraction between the author and Smith. However, the sheer number of visits that the movie portrays is certainly erroneous. In actuality, the writer's "extended prison sojourns in the film are…fictionalized. In five years, Capote…visited his subjects no more than half a dozen times, though he did correspond with [them] weekly... He…was less interested in dealing with the defendants as people (Gibbons)."

As such, it becomes fairly obvious that the film Capote exaggerated a number of different facets of his personality and behavior in order to render the author as a consummate perfectionist...
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