Nevertheless, Cartier-Bresson chose to stay true to his format and take the picture in black and white which helps in the translation of what is seen and not seen, in this writer's opinion. The rag pickers are standing in a sea of fabric, most likely discarded by manufacturer's shipping from an impoverished to an industrialized country. The very people who make the fabrics from the natural resources of their native lands, cannot afford to own them outright. As such, it is necessary for the men to clothes themselves and most likely their families with the remnants that are left over.

The last photograph that I chose as a part of my review of the work of Henri Cartier-Bresson was unnamed, and therefore I refer to it as "Children at Play." There were a plethora of photographs to select from as the photographer worked extensively for more than 7 decades. However,...
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