Thus, even Valerie singles out the protagonist as special from her insane peers. Susanna's conflicts are seen as more, rather than less compelling than the other women's struggles because Susanna is 'really' sane, and able to take the advice of good people like Valerie. In contrast, the problems of people such as Daisy, who has a flip hairdo and an enmeshed relationship with her sexually abusive father, are used more as shock value (like Daisy's fondness for chicken) rather than as evidence that the less mentally stable girls are worthy and compelling subjects.

Susanna's worthiness of subjectivity is further underlined by her constantly reiterated desire to writer, and her parent's inability to appreciate her ambitions and creativity. Of course, many young people have artistic aims and defy their parent's expectations that they go to college and fulfill conventional aspirations of success. This does not make them crazy; the film rightly...
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