As the text by Davison (2004) contributes, "given that the narrator in Gilman's tale is a femme couverte who has no legal power over her own person -- like her flesh-and-blood counterparts at the time the story was published -- and that her husband is a physician whose pronouncements about his wife's illness are condoned by a spectral yet powerful medical establishment, it is no wonder that his wife grows increasingly fearful of him and suspects him of conspiring with his sister against her." (Davison, 48)

This helps to drive what the research discussed here will promote as a distinct literary tradition to be known as Female Gothic, so-named for the shared condition of American women during the time of Gilman's writing, who lived in obscurity in spite of the instincts and inspirations driving them to desire more. In the narrator of this story, these instincts become a cross to...
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