Despite his love of the estate, the future is far better and far more promising than the Russia of the previous era.

Another tragic feature of Ranevskaya's character that makes her uniquely 'modern' is that she knows her flaws. She admits that she squanders money, while Oedipus seems unaware of his arrogance until the very end of the play. Chekhov's subtlety as a playwright is that he knows that people can do the wrong thing, 'know' that they are doing wrong, and still act against their best interests in a foolish fashion. Hence, unlike the ancient Greek tragedy of circumstance, Chekov's play is a tragedy of character. The people around Ranevskaya, including her daughter as well as Lopakhin, seem powerless to stop the woman in her path to folly, but Ranevskaya also seems powerless to stop herself, even though she is an apparently intelligent, if prodigal woman.

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