The freakish nature of the modern world seems to have infected even the way the young woman sees herself -- she calls herself 'dead' because the old woman refers to her as 'dead' even though she is clearly alive. She passively submits to the idea that she will be eaten, unflinchingly asking how she will be cooked, and what will be served with her 'feast.' In the context of the play, it is uncertain if the young woman is really dead or simply does not care if she is eaten or not, even though she has been preserved for many years. The old woman, who calls her dead, seemingly tries to convince herself of the young woman's demise, even though she is having a conversation with her future dinner. In the new, destroyed earth, the barrier between what is dead and alive has become uncertain and permeable.

What is clear...
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