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Magician Essays and Research Papers

Instructions for Magician College Essay Examples

Title: Compare Yahwist Priestly and Magician's Nephew

Total Pages: 4 Words: 1196 Works Cited: 3 Citation Style: APA Document Type: Essay

Essay Instructions: Focus-Reflection Paper comparing the yahwist and Priestly narratives of the Torah with C.S. Lewis's "The Magician's Nephew" on a particular point of theological relevancy.

Thesis Statement: Claim that can be supported with evidence from the text..i.e. major or significant point within the Priestly, Yawhist and Magician's Nephew. The thesis should make a clear point.

Body/Supporting Evidence: This should back up the thesis statement

Critical Reflection: What contribution does this paper make to our theological understanding of God and humanity? Opinions may be added to the critical reflection.

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Title: Supply and Demand Simulation

Total Pages: 4 Words: 1258 Bibliography: 0 Citation Style: MLA Document Type: Research Paper

Essay Instructions: The paper should include the answers to these questions.
What causes the changes in supply and demand in the simulation? How do shifts in supply and demand affect your decision making? How can you apply what you learned about the concepts of supply and demand to your workplace? (The place I work at is a private club for magicians which has dinner and bars.)List four key points about supply and demand It has to be from aggregate demand, aggregate supply, and modern macroeconomics

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Title: transmedia Characters

Total Pages: 2 Words: 784 Sources: 1 Citation Style: APA Document Type: Essay

Essay Instructions: The Subject is Harry Potter as a transmedia character, i.e how he appears in different forms of media.

Unfortunately I do not have the book or a link to it but I hear there are some pages available online.

Read the first four chapters of the book "The Magicians" by Lev Grossman (pg 1-49) and then select a quote (few sentences) from it and write a two page explication analyzing the quotation.





The point of the explication is to make an argument/observation across media: i.e. examine a theme from, say, text to television, text to comics, television to fan art, television to fanfiction, etc. This might be a comparison or contrast, an examination of a specific theme or moment, or an analysis of characterization across media. You should definitely take into account the effect of the media itself: that is, what kinds of meanings does text enable/disable, what strengths (weaknesses) does video, comics, fan art, or music videos, etc. have.




* YOU HAVE FREEDOM TO PURSUE YOUR OWN THEME/INTERESTS: e.g. characters, plot elements, issues of class, race, masculinity and femininity, sexuality, nationalism, science and technology, authority, aesthetics, rationality, friendship, narrative structures, ideology, deduction/investigation, historical context, communications and media, etc. The Timeline at the back of your syllabus might also inspire you.



* THAT BEING SAID: DON'T CHOOSE TOO BIG A TOPIC �" NARROWER IS BETTER. Root yourself in a particular quote, a particular image, a particular panel and work UP to a thesis or argument.



* MAKE SURE YOU ARE CITING EVIDENCE (QUOTES/IMAGES) AND SAYING EXPLICITLY WHAT YOU THINK THAT EVIDENCE MEANS. (YOU CAN NOT BE "TOO OBVIOUS" ABOUT THIS.)



* MAKE SURE YOU SPECIFY WHICH BOND YOU'RE WRITING ABOUT (appears in films, literature, fanwork, etc) AND PROVE THAT HE IS THE KIND OF GUY YOU SAY HE IS. THINK ABOUT COUNTEREVIDENCE AND TRY TO ACCOUNT FOR IT.

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Title: Shakespeare

Total Pages: 7 Words: 2360 References: 1 Citation Style: MLA Document Type: Research Paper

Essay Instructions: Do an analysis of the theme of the theatricality, stagecraft and magic in Shakespeare's "The Tempest". While the play is considered to be Shakespeare's farewell to the theatre, it employs a model of theatre as potentially redemptive. How is magic used in the play? What is the function of the masque, the play within the play? How does the conclusion of the play help us read the social value of theatre? You might consider the various metaphorical registers of drama, the effect of magic on particular characters, the magician/dramaturage (Prospero) himslef, etc.

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