Genre Essays and Research Papers

Instructions for Genre College Essay Examples

Title: film genres

  • Total Pages: 6
  • Words: 2723
  • Works Cited:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Genre exploration: select any genre other than a musical or film noir. Choose any three movies that are part of this same genre; one from near the beginning of the genre, one from the central time of the genre, and the one of the most recent examples of the genre. Then address the following points: define the genre; give a brief history; and cite an example of a film considered to be a "classic" of the genre and an example of a recent film within the genre. these two examples should be movies other than the three you choose to discuss. If you chosen movies with subgenres discuss those subgenres. Finally exsplain why you believe your chosen picture is a good or bad example of that genre.

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References

Baldick, C. (1991). Literary Terms. New York: Oxford University Press.

Close Encounters of the Third Kind. (1977). Dir. Steven Spielberg. Columbia Studios.

Contact. (1996). Dir. Robert Zemeckis. Warner Bros.

Dirks, T. (2002). Science Fiction Films. Filmsite.org. Retrieved April 21, 2003. URL: http://www.filmsite.org/sci-fifilms.html

Gross, L. (August 1995). Big and Loud. Sight and Sound 5.8: 6-10.

Harrison, H. (1978). Foreword. Future Tense. Ed. John Brosnan. New York: St. Martin's Press.

La Valley, A.J. (1985). Traditions of Trickery: the Role of Special Effects in the Science Fiction Film. Shadows of the Magic Lamp: Fantasy and Science Fiction in Film. Eds. George Slusser & Eric S. Rabkin. Carbondale, IL: South Illinois University Press.

MovieMarshal. (2003). $20 million in the U.S. In 2002. MovieMarshal. Retrieved April 21, 2003. URL:

http://www.moviemarshal.com/boxusa2002.html

Sobchack, V. (1987). Screening Space: The American Science Fiction Film. New Brunswick, NJ: Rutgers University Press.

Solaris. (2002). Dir. Steven Soderbergh. Twentieth Century Fox.

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Title: genre analysis

  • Total Pages: 5
  • Words: 1504
  • Bibliography:2
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: Genre Analysis Summary .

Provide a one-page discussion of each of the following Old Testament genres: narrative, law, historiography, poetry, and prophecy. Include the following points in your treatment.

•A one to two sentence description of the genre

•A bulleted list of the genre’s major characteristics

•A brief (one paragraph) summary of the genre’s function (e.g., genealogies often function to legitimate the position of a particular individual or group).
The relevant sections of Cracking Old Testament Codes should be read in conjunction with this assignment. You should also include a bibliography consisting of at least two sources other than Cracking Old Testament Codes. You may wish to use lectures from iTunes University, articles from the ATLA Religion Database, or articles from credible internet sources.

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Dillard, Raymond.B. And Tremper Longman. An Introduction to the Old Testament. Tremper Longman. 1994.

Williamson, Arnold. Historiography, Old Testament. Dictionary of the Old Testament: Historical Books.2008.

Brent, Sandy, D. And Giese, Ronald L. Cracking Old Testament Codes: A Guide to Interpreting the Literary Genres of the Old Testament. B&H Academic. 1995.

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Title: Using the concept of genre to frame your analysis to compare The Dark Knight 2008 and Iron Man 2 2010 in relation to popular film culture

  • Total Pages: 8
  • Words: 2408
  • Sources:7
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Using the concept of "genre" to frame your analysis to compare "The Dark Knight" (2008) and "Iron Man 2" (2010) in relation to popular film culture.

The number of required source for this paper is 6 to 9.

You must refer to at least 3 readings from below,

1. Todd McGowan, "The Exceptional Darkness of The Dark Knight," Jump Cut: A Review of Contemporary Media, No. 51, spring 2009, http://www.ejumpcut.org/archive/jc51.2009/darkKnightKant/text.html

2. Eileen R. Meehan, "Holy Commodity Fetish, Batman!": The Political Economy of a Commercial Intertext," in The FIlm Studies Reader, pp.23-33

3. Thomas Elsaesser, "The Blockbuster: Everything Connects, but Not Everything Goes," The End of Cinema as We Know It, pp.11-22

4. Thomas Schatz, "New Hollywood, New Millennium," in Film Theory and Contemporary Hollywood Movies, pp. 19-46

5. Wyatt, High Concept, pp. 1-64

6. Aruel Dorfman, The Empire's Old Clothes, pp.67-131


and 3 outside sources.

You will be evaluated on the quality of your research, your ability to analyze texts, and your skill in crafting a coherent and compelling argument. Outstanding papers demonstrate depth of understanding, original thought, and a fresh perspective on the topic.

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References

Tolette, J.P. Fiction Film. Cambridge: Cambridge University Press, 2001.print

Danesi, M. Popular Culture: Introductory Perspectives 2nd Edition. Printed in the United

Kingdom: Rowman & Littlefield Publishers, 2012. Print

Ebert, R. Roger Ebert's Movie Year Book. Kansas City: Andrew McMeel Universal Company,

2013, Print

Reihart, S.M. The Batman Filmography 2nd Edition. North Carolina: Macfarland & Company

Publishers, 2013. Print

MacGowan, T. The exceptional Darkness of the Dark Knight, Jump Cut: A review of Contemporary Media. New York: Spring, 2009, No 51.

http://www.ejumpcut.org/archive/jc51.2009/darkKnightKant/text.html

Schatz, T. New Hollywood, New Millennium, In Film Theory and Contemporary Hollywood

Movies, ed. Warren Buckland. New York: Routledge Publishers, 2009. 19-46

Elsaesser, T. The Blockbuster: Everything connects, but not Everything Goes, The End of Cinema as we know it. Ed.Jon Lewis. London: Pluto Press, 2001. 11-22

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Title: Genre

  • Total Pages: 2
  • Words: 850
  • References:3
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: 1.Share your observations after viewing Mary Tyler Moore "Love is All Around" (Episode 1, Season 1), Seinfeld "The Cigar Store Indian", All in the Family "Meet the Bunkers", The Simpsons "Scenes from the Class Struggle", The Honeymooners, "A Woman's Work is Never Done", and/or I Love Lucy "Job Switching". Feel free to watch all (or at least 3 various episodes) of these shows and discuss what these episodes say about American cultural norms. How are they the same today? How are they different? Use your observation skills to compare and contrast. Think and discuss how cultural groups are represented in the television industry. How has it changed its reflection?

2.Read your choice of critical essays included in the Vande Berg text (end of Chapter 14) AND find a critical online essay from the ESC Library on gender, race, class, sexuality, disabilities, or age in television -using a specific show or genre.
In your discussion, be sure to share which essay (from the text) and a link to your article for others to follow along.

You should be examining the various ways American culture is represented and reflected on television. You may also wish to bring current shows into your analyses, but do not neglect the older shows. In module 2, you may have viewed some Friends episodes for the humor and genre discussion area. A discussion about "The One with Five Steaks and an Eggplant" and the pilot episode are also relevant to discuss in this forum -with the emphasis on gender, race, class, sexuality, disabilities, or age.



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The Cigar Store Indian. TV.com, 2010. Web. 24 Jun. 2010.

Job Switching. TV.com, 2010. Web. 24 Jun. 2010

Love is all Around. TV.com, 2010. Web. 24 Jun 2010

Meet the Bunkers. TV.com, 2010. Web. 24 Jun 2010

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