Film Industry Essays and Research Papers

Instructions for Film Industry College Essay Examples

Title: American Creative industries

  • Total Pages: 7
  • Words: 2278
  • Works Cited:15
  • Citation Style: Harvard
  • Document Type: Essay
Essay Instructions: Topic: How American creative industries impact globalization.
2000 words
Assessment criteria:
Significance of the topic explained /5
Key issues of the topic defined /5
Success and short falls of the examples exposed /5
Synthesis and analysis of information /5
Presentation and format /5
Properly referenced with bibliography /5

. American creative industries includes numbers of industries like film-TV, design-fashion, advertising, theatre, events, animations-games, torism-leisure, publishing.. I WANT TO NERROW DOWN TO JUST THE FILM INDUSTRY.
. A study guid is included for your reference.
. Please use plain english, (Still professional but no fancy words)
. please include at least 2 case studies
. please concentry on synthesis and analisis.
. Please try to use web-based reference and biblioraphy only. try not to use books.
. Conclusion is very important to this professor so please try to relate to the intro.
. please include page number.
. double spacing.
.Arial font size 12
. intext referencing

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Works Cited:


Beck, U., Sznaider, N., Winter, R., 2003, Global America?: The Cultural Consequences of Globalization, Liverpool University Press, ISBN 0853239185

Bogart, L., 2000, Commercial Culture: The Media System and the Public Interest, 2nd Edition, ISBN 0765806053

Dorthea, N., 2007, Why the American Film Industry is So Popular, on March 19, 2009

Eckes, a.E., Zeiler, T.W., 2003, Globalization and the American Century, Cambridge University Press, ISBN 0521009065

Kawachi, I., Wamala, S.P., 2007, Globalization and Health, Oxford University Press, ISBN 019517299X

Marling, W., 2006, How "American" is Globalization? JHU Press, ISBN 0801883539

Nash, C., 2009, the Positive Effects of Globalization, Enzine Articles, on March 19, 2009

Pillai, P., 2008, Negative Effects of Globalization, Buzzle, on March 19, 2009

Stephan, a., 2005, Americanization and Anti-Americanization: The German Encounter with American Culture After 1945, Berghahn Books, ISBN 1571816739

2002, Hollywood in the Era of Globalization, Yale Center for the Study of Globalization, on March 19, 2009

2003, American Film Industry, Knowledge Rush, on March 19, 2009

2008, Ford Cars in Movies, World Car Fans, on March 19, 2009

2009, Introduction to Creative Industries: The Case of United Kingdom and Implementation Strategies in Hong Kong, Honk Kong Arts Development Council, on March 19, 2009

2009, Movies Tagged with McDonald's, Spout, on March 19, 2009

2009, What Is Globalization? Globalization101, on March 19, 2009

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Title: Bollywood

  • Total Pages: 8
  • Words: 2433
  • Bibliography:0
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: For this paper i would like these point to be present:

1st: a brief history of Bollywood film industry and how it came to be as it is now.
2nd:hollywood vs Bollywood.( as a competitor)
3rd: a small history of indian economy and its regulations on the film industry.
4th: Bollywood involvement in the indian economy.( what role is it playing in the indian economy).

5:Bollywood success abroad and in india.( global market and how indian culture is adapting in a local market)
6th: problems & Ethical issues present in the bollywood industry.
7th: Recommendations on how Bollywood can grow even further.

This is an international business paper, the focus should be on bollywood as a bussiness and its globalazations, and what kind of bussiness is it ( national ,transnational, multi national)
I would like my sources to be from online articles not books. and 4 or 5 quotes would be enough. and most importantly NO PLAGIARISM please.

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Anonymous. BW Help: What is Bollywood? Bollywood World, 2010.

Grant, Andrew. What is Bollywood?, 2013.

Hoad, Phil. Will Hollywood ever conquer Bollywood? The Guardian, 2012.

Kapoor, Kritika. Not just India, Bollywood faces heat abroad too. TNN, 2012.

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Title: Filma analysis

  • Total Pages: 5
  • Words: 2113
  • Sources:5
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: On the basis of your thoughts, construct a thesis-guided essay of around 5 pages, double-spaced, typed and citing all secondary sources you have consulted in writing your essay. The primary learning goal of this course is to combine an investigation of the textuality of crucial films for the german industry with an understanding of why these films were important in the evolution of German film history. Your paper should therefore be responsible to some aspects of the context of the films you analyze but close analysis is equally important. : ( As Kaes has suggested, scholars kerned from Kracauer "that films signify something not in abstract but concretely at a a certain moment in time, at a certain place and for a certain audience. They offer responses to burning questions; they are meant to resonate have an impact." quoted in Brockmann, 3)
So think through the questions posed and write an essay with this topic: THE STUDENT OF PRAGUE was the film which might be seen to have brought to an end the kino- debates which were centered on the relative artistic value of film to German culture. What are the basic arguments and how are they developed in Germany prior to the nationalization of the film industry in this country. Give a close analysis of how this film, STUDENT OF PRAGUE, contributes to bringing these debates to an end. This question will require the use of secondary sources so be sure that you document correctly.

Please make sure that the secondary sources which you use are ONLINE ARTICLES.
*A Critical History of German Film. Brockmann, Stephen. 2010.
*From Caligari to Hitler. Kracauer, Siegfried. 1947.

you can also use this source if you find it helpful and useful and if you can relate:
The German Cinema Book. Eds,. Bergfelder et al. BFI, 2002.

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Brockmann Stephen. (2010). A Critical History of German Film. Retrieved October 28, 2014 from

Kracauer Siegfried (1947). From Caligari to Hitler: A Psychological History of the Germany Film. Princeton and Oxford, Princeton University Press. Retrieved October 28, 2014 from

Paul Wegener, (1913). Der Student von Prag. Retrieved October 28, 2014 from

Pulver A., (2011). New Europe: A history of German cinema in clips. The Guardian. Retrieved October 28, 2014 from

Turner Classic Movies, (2001). TCM Explores Untold Story of Marlene Dietrich, Her Political Activism and Personal Struggles. Retrieved October 28, 2014 from

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Title: East Asia Studies

  • Total Pages: 5
  • Words: 1629
  • References:6
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: I would like a paper that discusses the Cinema in Hongkong and how the movies have influenced countless America movies plus how many hong kong movies have become very popular in North America..

Here is a prilimary outline discussing the ideas I want to discuss:

Hong Kong Cinema

It's almost hard to believe that some of the most recent Hollywood Blockbusters are nothing but recreations of movies produced years before in Hong Kong. The Film Industry of Hong Kong is believed to rival those of Bollywood and even Hollywood. I would like to take this opportunity in my term paper to discuss Hong Kong Cinema. I would like to review some of the most recent movies that are recreated based on successful Hong Kong movies like: The Departed and Face Off , Crouching Tiger Hidden Dragon, etc... and I would also like to discuss why North Americans love movies like : Crouching Tiger Hidden Dragon, Hero, and other various movies that depict Chinese history and martial arts, culture and confuscist values.
The beautiful thing about the cinema in Hong Kong is that the movies are very art-sie. If you watch most of the movies they especially go above an beyond in creating the set and costumes, music and dialog ensure they depict the history accurately. This is something that Hollywood has forgotten in order to load a movie with special effects and action. In fact many people would argue that many Hollywood movies are meant to solely entertain the viewers while the movies from Hong Kong not only entertain the viewers but also give the viewers a sense of identity.

Cinema of Hong Kong,
Teo, Stephen, British Film Institute, Hong Kong Cinema: The Extra Dimensions, February, 1998
Desser, David, Cambridge University Press, Cinema of Hong Kong:Histroy, Arts, Identity, March 2002
Hong Kong Film Review on Love HK Film,

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Works Cited

Clouse, Robert. Enter the Dragon. Concord Productions Inc., 1973.

Hong Kong Cinema." Tourism in Asia (2007).. December 2, 2007.

Hong Kong Movie Skills Grow in Hollywood." International Market News (11 July 2002). December 1, 2007.

Kei, Sek. "Achievement and Crisis: Hong Kong Cinema in the '802." Bright Lights Film Journal. December 3, 2007.

Lau, Wai-keung and Siu Fai Mak. Mou gaan dou. Media Asia Films Ltd., 2002.

Lee, Ang. Crouching Tiger Hidden Dragon. Asia Union Film & Entertainment Ltd., 2000.

Leone, Sergio. Once Upon a Time in America. Embassy International Pictures, 1984.

Scorsese, Martin. The Departed. Warner Bros., 2006.

Teo, Stephen. Hong Kong Cinema: The Extra Dimensions. London: BFI Publishing, 1997.

Yaquinto, Marilyn. Pump 'Em Full of Lead: A Look at Gangsters on Film. New York: Twayne Publishers, 1998.

Woo, John. Face Off. Touchstone Pictures, 1997.

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