Feminists Essays and Research Papers

Instructions for Feminists College Essay Examples

Title: 3rd Wave Feminism

  • Total Pages: 1
  • Words: 431
  • Sources:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: FEMINISTS WHO WEAR LIPSTICK: This is creative piece to be used in a "zine." It is explaining to young girls today how feminism is no longer comprised of hairy-legged manless women. 3rd Wave Feminists today are feminine. They can be powerful and sexy. The paper should explain the new ways of thinking about feminism without associating it with anti-male, angry butch women attitudes.

Materials to aid in writing:
Angela McRobbie "PostModernism and Popular Culture" Pg. 166
"Far from having to relinquish their femininity to achieve ''equality'' these girls have demanded their right to hold on to it intact, even excessively."

Popular examples:
-Charlie''s Angels & Tomb Raider (Girls who kick ass and are sexy)
-Madonna (Powerful sexy woman who thrives on having a husband and being a wife and mother.)
-Martha Stewart (Through her empire of magazines, books, TV shows, catalogues, newspaper columns, a Web site, a radio program, and a Kmart franchise, she reaches 88 million people a month. She is a powerful and outrageously successful woman her made her fortune by teaching women how to be a domestic goddess. Made money by being a traditional female.)

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Garrison, Ednie Kaeh. "U.S. Feminism-Grrrl-Style!" Feminist Studies. Spring 2000. Find Articles. 24 Apr. 2003. http://www.findarticles.com/cf_0/m0300/1_26/63295343/p1/article.jhtml?term=%22third+wave+feminism%22.

McRobbie, Angela. Postmodernism and Popular Culture. London: Routledge, 1994.

Straus, Tamara. "A Manifesto for Third Wave Feminism." Alternet. 24 Oct. 2000. Independent Media Institute. 24 Apr. 2003. http://www.alternet.org/story.html?StoryID=9986.

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Title: Two Models of Feminism Wollstonecraft and Chopin on the Social Dynamics of Female Emancipation conversation between The Awakening and A Vindication of the Rights of Woman

  • Total Pages: 9
  • Words: 2840
  • References:9
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: Hi,

Thank you for your help!

This paper should be a literary and theoretical analysis of the different feminisms presented by Kate Chopin's The Awakening and Mary Wollstonecraft's A Vindication of the Rights of Woman in terms of the sociability of female emancipation. By this I mean the extent to which these writer's believe female emancipation to be in conflict (or harmony) with the social status quo, how plausible female liberation is in the context of each of these writer's contemporary panorama, how the justifications and aims of each of these feminists "arguments" correspond or contradict ideals of social duty, whether the emancipated woman can be seen as a constructive reformer of the social space or a self-isolating figure, etc. Chopin's novel can be read as arguing that female emancipation is impossible for the Victorian wife and mother, and that its pursuit is an isolating journey that puts a woman at odds with society and often ends in tragedy. Wollstonecraft, on the other hand, grounds much of her argument for female emancipation on a consequentialist logic of social utility, and often alludes to the idea of women being the mothers of the nation. In fact, family and nation--the private and the public--seem to blur on occasion as she argues for a different kind of treatment and education for women with the aim of them being able to fulfill traditional roles better.

Put these two primary texts in discussion: what would Wollstonecraft think of Edna? (probably that her narcissism and childishness is a consequence of patriarchal oppression...) What would Edna think of Wollstonecraft's "A Vindication"?

The paper should have a clear thesis and seek to prove it throughout the paper. It should discuss (or even focus) on the example of motherhood: the extent to which motherhood and maternal instincts are natural to women (in Chopin, discuss the concept of the "mother-woman," Edna's admiration of/contempt for of Adele, Edna's relationship with her children, etc); the importance of the maternal figure in the social panorama; the extent to which feminism is at odds (or not, as in Wollstonecraft) with the traditional role of woman as nurturer and edifier of her children/future citizens.

Things that might have to be mentioned: first wave and second wave (?) feminism, arguments of equality and of difference, Wollstonecraft's call for a "revolution in female manners," "New Woman" literature... And sentimentality: is it escapist (and if so, is it condemnable?), is it the only relief for women trapped in unfulfilling roles? Is it a deplorable and socially harmful consequence of the oppression of women's rationality (as Wollstonecraft believes) or is it an aspect female individuality (this is an argument of difference) that is not allowed to be expressed at its fullest?

Why does Chopin focus so much on Edna's sensory experience? Does it indicate self-indulgence or her final awakening to her self-discovery?

Please read all the documents I upload: most of them will be summaries/analyses of the primary texts (sparknotes and such), but there will also be a document with some citable essays, and a document with my notes and selected quotes from the primary sources and these essays. The discussion of The Awakening should keep in mind the entire novel; the discussion of A Vindication should focus on chapters 1-4, .

The Awakening and A Vindication should be available in any library, but they are also on Google Books:



I don't need 9 sources cited, but please read everything I upload.

Thanks again and please send me this as soon as possible!


Possible titles...
Two Models of Feminism: Wollstonecraft and Chopin on the Social Dynamics of Female Emancipation
Two Models of Feminism: Wollstonecraft and Chopin on the Sociability of the Emancipated Woman

The Awakening (1899) 19th/20th - Victorian
A Vindication of the Rights of Woman (1792) 18th/19th

Original paragraphs/ideas/brainstorming:

Woolstonecraft’s early feminism is limited by her belief that all women are “by nature” mother-women, and that those who fail to live up to the standards of motherhood do so because their moral and intellectual development has been stunted by a patriarchal culture that poses infantile, narcissistic and vain behavior as cornerstones of femininity. Thus both the neglectful mother and the over-stiflingly over-protective one represent two extreme possible outcomes of the masculine oppression of the female psyche.

Woolstonecraft imagines the emancipation of woman in service to the social body, and??"to an extent??"justifiable because of its presumably constructive effects on women’s abilities to fulfill their roles as mothers, wives, sisters, daughters and citizens. Chopin, on the other hand, views these social roles as impositions of a patriarchal order that is antithetical to female creativity and self-possession. Consequently, Chopin’s model of the emancipated woman is one tinged by loneliness and social alienation. While such a life can be bearable to women of strong characters such as Mademoiselle Reisz, it can prove too difficult for those of weaker wings…
The burden is especially difficult for women after marriage and motherhood, for the are pulled in different directions.

On the other hand, Woolstonecraft sees isolation, sentimentality, etc… as feminine dispositions caused by men’s very imposition of restricted education, etc.. on their…

Chopin: Solitude is the consequence of a search for independence.

Mary W:
First duty “to themselves as rational creatures”
Then, role as mothers in virtue of being good citizens
Relegation of women to private sphere renders them “foolish or vicious”

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Chopin, Kate. The Awakening. 1899. University of Virginia E-Text Center. Accessed 28 May 2012. http://etext.lib.virginia.edu/toc/modeng/public/ChoAwak.html

Hammer, Colleen. To Be Equal or Not to Be Equal: The Struggle for Women's Rights as Argued by Mary Wollstonecraft and Christina Rossetti. UCC [working paper].

Heilmann, Ann. The Awakening and New Woman cition.

Horner, Avril. Kate Chopin, choice and modernism.

Janes, R. On the Reception of Mary Wollstonecraft's: A Vindication of the Rights of Woman. Journal of the History of Ideas Vol. 39, No. 2 (1978): 293-302.

Wollstonecraft, Mary. A Vindication of the Rights of Woman. 1792. Bartleby. Accessed 28 May 2012. http://www.bartleby.com/144/

Worton, Michael. Reading Kate Chopin through contemporary French feminist theory.

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Title: I essay feminists book ISLAND OF THE SEQUINED LOVE NUN Christopher Moore To general trend feminism today What feminism's relationship beauty Is beauty natural Or beauty decorated Of shades truth

  • Total Pages: 6
  • Words: 2086
  • Works Cited:12
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: I want an essay about why feminists would or would not like the book ISLAND OF THE SEQUINED LOVE NUN by Christopher Moore.
To do it, you need to consider what the general trend of feminism is today. What is feminism's relationship to beauty? Is beauty what is natural? Or is beauty what is decorated?
Of course there are many shades of truth here. Your job is to control your thesis.
Your thesis is an argument about what you think contemporary feminists would say about Moore's book. "They would like it because..." or "They would be aghast because..."
(bear in mind that Moore is a bit crafty in making the Texan matriarch, the believer in the beauty of women when they are painted--it takes her to rescue the man and the woman who is not yet elevated to the sophisticated level of the modern woman. So it qualifies as postmodern. It is also campy, an element that is known as postmodernism)

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Works Cited:

Works Cited

Botting, Eileen H, Houser, Sarah L., '"Drawing the Line of Equality": Hannah Mather Crocker on Women's Rights' in American Political Science Review. 2006, 100: 265-278. Print.

Cornell, Drucilla. At the Heart of Freedom: Feminism, Sex, and Equality. Princeton, N.J.: Princeton University Press. 1998. Print.

Chodorow, Nancy. Feminism and Psychoanalytic Theory. New Haven, Conn.: Yale University Press. 1989. Print.

Hochschild, Arlie Russell; Machung, Anne. The Second Shift. New York: Penguin Books. 2003. Print.

Freedman, Estelle B. No Turning Back: The History of Feminism and the Future of Women. Ballantine Books. 2003. Print.

Mackie. "The Branches of Contemporary Feminism." 1994. Web. http://web.viu.ca/vaugeois/courses/trmt_153/feminism.htm

Moore, Christopher. Island of the Sequined Love Nun. New York: Avon. 2000. Web. http://www.chrismoore.com/love_nun_excerpt.html

Powell, James. Postmodernism for Beginners. New York: Writers And Readers. 1998.

Richard, Marcus. "Book Review: Island of the Sequined Love Nun by Christopher Moore." 2007. Web. http://blogcritics.org/books/article/book-review-island-of-the-sequined/

Scanlon, Jennifer, Bad girls go everywhere: the life of Helen Gurley Brown. New York: Oxford University Press. 2009. Print.

Saad, Gad. "The Beauty Myth vs. The Veil: A Feminist Perspective." Psychology Today. 2011. Web. http://www.psychologytoday.com/blog/homo-consumericus/201110/the-beauty-myth-versus-the-veil-feminist-perspective

Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. Harpswell: Anchor. 1991. Print.

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Title: See specification below

  • Total Pages: 12
  • Words: 3556
  • Bibliography:9
  • Citation Style: MLA
  • Document Type: Research Paper

Please answer each question below with a 3 page answer. YOU CAN ONLY USED THE SOURCES THAT HAVE BEEN FAXED !!!!!!!
Please seperate each answer by number.

1) Feminists have suggested that social theory does not exist in a vacuum and that social theory itself is highly gendered and woman have been excluded from the social theorizing. What does a feminist standpoint theory as advocated by Dorothy Smith offer? How does it relate to Patricia Hills Collins’ notion of a black feminist standpoint? In what sense does Virginia Wollf’s “ A Room of One’s Own” constitute a feminist standpoint, and what is distinctive about her conception of an emancipated culture?

2) Contemporary social theory and politics have been plagued by contrasting logics: a “logic of equality” (redistribution) and a “logic of difference” (identity). How does Nancy Fraser propose to overcome this antinomy?

3) The politics of difference and multiculturalism have questioned social theory’s privileged claim to universality. They have highlighted the complex history of European expansion and conquest of the world, and the Eurocentrism of social theory. Discuss these critiques with reference to W.E.B DuBois and Stuart Hall.

4) In what way does globalization pose a challenge to classical social theory? And what is the significance of Justin Rosenberg’s distinction between “Globalization Theory” and a “Theory of Globalization”? Is his argument a persuasive defense of classical social theory?

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Works Cited

Crowley H. Women and the Domestic Sphere. (full reference not provided)

Du Bois, W.E.B. The Souls of Black Folk. 1903

Fraser N. From Redistribution to Recognition? Dilemmas of Justice in a "Post

Socialist' Age. New Left review 1/212. 1995

Hall S. The Question of Cultural Identity. (full reference not provided)

Rosenberg J. The Follies of Globalisation Theory: Polemical Essays.

Verso: 2002.

Smith D. Knowing Society form within: a Women's Standpoint. Boston:

Northeastern University press. 1994.

Woolf V. A room of one's own. New York: Harcourt, Brace Jovanovich. 1929.

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