Doctor Faustus Essays and Research Papers

Instructions for Doctor Faustus College Essay Examples

Title: Doctor Faustus reasons why he was willing to accept eternal damnation

  • Total Pages: 20
  • Words: 6431
  • Works Cited:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: This paper is for an independent study. So the topic is prety much open. I chose Doctor Faustus'' acceptance for eternal damnation because I thought I would be able to find plenty of exanples. There should be quotes included. 12 foot font, double spaced.

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Works Cited:

Works Cited

Conflict in the Tragical History of Doctor Faustus. November 6, 1998.

A www.kcweb.nhmccd.edu

Christopher Marlowe. Books and Writers.

A www.kirjasto.sci.fi

Marlowe, Christopher Dr. Faustus in ed. WB Worthen (1996). The Harcourt Brace Anthology of Drama, 2nd edn., Texas: Harcourt Brace.

MonkeyNotes. Doctor Faustus by Christopher Marlowe. www.pinkmonkey.comNovelGuide.

Novel Analysis: Doctor Faustus.

A www.novelguide.com

Starther. Faustus: Renaissance Martyr or Tragic Hero.

A www.starther.no

Dr. Faustus

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Title: Doctor Faustus

  • Total Pages: 2
  • Words: 607
  • Bibliography:0
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: In Doctor Faustus, examine Dr. Faustu's last soliloquy (pp.75-77) and discuss Marlowe's use of time in this passage. Do not paraphrase entire passage.

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Title: Marlowe's Doctor Faustus as Morality Play with reference to Everyman

  • Total Pages: 11
  • Words: 3798
  • Sources:8
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Marlow's Doctor Faustus can be viewed in various levels; four of which are worth mentioning: First, Doctor Faustus can be considered as 'Homiletic tragedy' in which the protagonist incarnates the intellectual pride when he is compared with both classical methodology of Icarus and Christian image of the fall of Lucifer. Thus the hero does exist simply to be punished. Second, it can be interpreted as a new kind of psychological play for the conflict lies entirely within the hero himself (Faustus) who is actually torn between conflicting worldly desires, and religious commitments and ethical requirement. Third, it may well be seen as "blasphemous' or heroic anti-morality' play because, according to the humanist view, Faustus rebels against the limitation of medieval knowledge and does not accept the restriction put upon mankind decreeing that he must accept his place in the universe without challenging it. Consequently, he set up the conflict between the limitation of man's knowledge and his justified desires to go beyond the frontiers of that knowledge to glorify his thirst for gaining more and more. Fourth, Doctor Faustus can be notably regarded as a more developed morality play for the good deal resemblance it bears with the conventions that determines morality play.

The purpose of this paper is to shed light on the fourth level which shows the intimate connection, between Doctor Faustus and Everyman (as a morality play), from which Doctor Faustus is warranty interpreted as a new form of morality play.

I'd like to have an analytical study that takes into account the resemblance between Doctor Faustus and Everyman in respect of character, theme, structure, form and other drama conventions.

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Bibliography

Craig, H. Morality Plays and Elizabethan Drama. Shakespeare Quarterly 1(2), 1950, 64-

72. Retrieved from http://www.jstor.org/pss/2866678

Everyman. NY: Fox, Duffield and Company, 1903.

Gardiner, H. Introduction. The Imitation of Christ (Thomas Kempis). NY:

Doubleday, 1955.

Kaula, D. Time and the Timeless in Everyman and Dr. Faustus. College English 22(1), 1960, 9-14. Retrieved from http://www.jstor.org/pss/373857

Leigh, D.J. The Doomsday Mystery Play: An Eschatological Morality.

Modern Philology 67(3), 1970, 211-223. Retrieved from http://www.jstor.org/pss/436385

Marlowe, C. Doctor Faustus. Harvard: Harvard Classics, 1909.

Pineas, R. The English Morality Play As a Weapon of Religious Controversy.

Studies in English Literature, 1500-1900 2(2), 1962, 157-180. Retrieved from http://www.jstor.org/pss/449497

Van Laan, T.F. Everyman: A Structural Analysis. PMLA 78(5), 1963, 465-475.

Retrieved from http://www.jstor.org/pss/460724

Christopher Marlowe, Doctor Faustus (Harvard Classics, 1909), 1.45-46.

Rainer Pineas, The English Morality Play As a Weapon of Religious Controversy, Studies in English Literature, 1500-1900 2(2), 1962, 157.

H. Gardiner, Introduction. The Imitation of Christ (NY: Doubleday, 1955), 15.

Marlowe, 1.40-45.

Ibid, 14.43-44.

Hardin Craig, Morality Plays and Elizabethan Drama. Shakespeare Quarterly 1(2), 1950, 64.

David Leigh, The Doomsday Mystery Play: An Eschatological Morality. Modern Philology 67(3), 1970, 211.

David Kaula, Time and the Timeless in Everyman and Dr. Faustus. College English 22(1), 1960, 9.

Everyman (NY: Fox, Duffield and Company, 1903), 4-5.

Ibid, 5.

Ibid, 7.

Thomas Van Laan, Everyman: A Structural Analysis. PMLA 78(5), 1963, 465.

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Title: Early British Lit

  • Total Pages: 6
  • Words: 2346
  • References:3
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: Examine and analyze how the following face their moment of truth and comment on how each reckoning is concieved of in terms of genre, type of work, and the author's respective cultures: Beowulf, Sir Gawain and the Green Knight, and Doctor Faustus. What social and cultural values might influence the ways the characters face thier moments of truth? How do these moments help us to understand the historical periods in which the characters opperate?

I need direct quotes from the story to support ideas. Sources must be books or journal articles.
___________________________

Those were the directions.

Heres some info to help with the paper.

Moment of truth:
Beowulf's: fight with the dragon.

Genres refer to Anglo-Saxon, Anglo-Norman, Middle Ages . . .stuff like that.

Sir Gawain:
5 Knightly Virtures
Beneficense boundless
brotherly love
pure mind
pure manners
compassion

I do need a works cited page
There are faxes for this order.

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References:

Bibliography

1. The Norton Anthology of English, Norton Topics Outline. 2003-2006. W.W. Norton and Company. On the Internet at http://www.wwnorton.com/nael/middleages/topic_4/welcome.htm.Last retrieved on November 24, 2006

2. The Sixteenth century topics: The Magician, the Heretic and the Playwright: Overview. The Norton Anthology of English Literature. 2003-2006. W.W. Norton and Company. On the Internet at http://www.wwnortoncom/nto/16century/topic_1/welcome.htm

3. Jokinen, Aniina. Sir Gawain and the Green Knight. Luminarium: Anthology of English Literature. November 2006. On the Internet at http://www.luminarium.org/medlit/gawainintro/htm.Last retrieved on November 24, 2006

4. Sera, Joseph. A character analysis of Sir Gawain. Pace University Student Projects on Gawain. November 2006. On the Internet at http://csis.pace.edu/grendel/projs2d/ana/page.htm.Last retrieved on November 24, 2006

5. Renaissance Attitudes towards Faustus as a Magician. On the Internet at http://www.english.uga.edu/cdesmet/tiffany/faustus.htm.Last retrieved on November 24, 2006

6. Volume 1-" From the beginnings to the Cycles of Romance" Edited by A.W.Ward & A.R.Waller

The Cambridge history of English and American Literature in 18 volumes 2006

http://www.bartleby.com/211/1503.htm

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