Cubism Essays and Research Papers

Instructions for Cubism College Essay Examples

Title: Cubism and its influence on cultural productions associated with Modernism

  • Total Pages: 4
  • Words: 1207
  • Works Cited:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Cubism was a movement that developed first in painting and in France, but its influence spread quickly and had a dramatic impact on the form and techique of a broad range of cultural productions associated with Modernism. SELECT 4 WORKS: one from DANCE, one MUSICAL, one from THEATER, and one from CINEMA- that represent THE IMPACT OF CUBISM. Descirbe in your account of each HOW it was influenced by Cubism (both in formal and conceptual terms); what OTHER contextual factors (political, social, technological) encouraged the adoption of a 'Cubist' vernacular; and specifically HOW the work is expressive of a Modernist sensibility. THE ESSAY SHOULD BE RICH IN DETAIL AND ANALYSIS, AND DRAW ON AT LEAST 3 READINGS.....

-BOOK- Neil Cox "Cubism" (London, 2000)
-BOOK- Clmilla Gray "the Russian Experiment In Art 1863-1922 (1986 edition)
-BOOK- Roger Shattuck "The Banquet Years" (New York, 1955)

also some readings will be emailed under the subject of "Davis Research" thank you for your help.

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Works Cited:

Works Cited

Cocteau, Jean. Professional Secrets. New York: Farrar, Straus & Giroux, 1970.

Cox, Neil. Cubism. London: Phaidon Press, 2000.

Shattuck, Roger. The Banquet Years. New York: Harcourt, Brace & Co., 1958.

Igor Stravinsky and Robert Craft. Dialogue and a Diary. London: Faber & Faber, 1969.

Bordwell, David. Film Art:An Introduction. Reading Mass.: Addison-Wesley Pub., 1979.

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Title: Cubism

  • Total Pages: 3
  • Words: 1018
  • Bibliography:0
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: I currently go to art school and I need an essay of 1000-1500 words (double spaced with 1inch margins). Academic level of this essay should be ESL because I'm an international student. I also would like to ask the writer, Writergrrl101, to write my essay.
This is the description of the essay topic.

The language of our artistic practice is under constant revision and debate. When the term "Impressionist" was coined to describe the work of a group upstart French painters, few could have imagined it would become a style to which generations of painters would aspire. Similarly, "Cubism" was a dismissive term applied to works whose underlying geometric structure seemed garish and obvious, while the contemporary "Fauve" painters were derided as "wild beasts."
Based on research, you are to synthesize a working definition of some formal property of your field. You are to articulate points of contention around its use and finally declare your understanding and position with regard to the idea you discuss. your final paper will be a form of manifesto of the term for your own practice at this time.
You examine the meaning of a term of art in your field of study. You should analyze its use in the work of other artists and in writing about the history and practice of your craft. You should use no fewer than three examples, and should arrive at a conclusion about the way you believe the term you've selected ought to be understood.

You must site no fewer than 5 sources to build your case, of which, at least 3 must be print sources. Suggested sources include dictionaries, glossaries, lexica, and interviews with artists or writers, biographical profiles, criticism and similar materials.

These are my information.
I go to art school and am majoring in illustration. But I still dont know what style of illustration I will be focusing on and what syle of illustration I have right now. Im still searching for what I really want to do and what style of drawing I like to do. Since I have learned Cubism in school, I am interested in this paticular style of drawing. As I also learned about Picaso's cubism style works, I tried to express my art work through cubism. I mostly worked with black charcole pencile on the white paper or a collage that is like how picaso used to create the cut out images or even objects put them together with cubism style. I really like to continue working with this style, however, Im still tring to test myself to see what else I can do to expand my own artistic expressions and skills through the cubism style.

p.s. I also need a good title and cite of all sources that you used with MLA style.

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Bibliography:

Works Cited

Antliff, Mark & Patricia Leighton. Cubism and Culture. World of Art Series. New York: Thames & Hudson, 2001.

Artists by Movement: Cubism -- Europe, 1908-1920." Artcyclopedia

http://www.artcyclopedia.com/history/cubism.html

Cooper, Douglas. The Cubist Epoch. London: Phaidon Press, 1995.

Cottington, David. Cubism: Movements in Modern Art. Cambridge: Cambridge University Press, 1998.

Cubism." ArtLex. 2005. http://www.artlex.com/ArtLex/c/cubism.html

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Title: Development of Cubism

  • Total Pages: 2
  • Words: 745
  • Sources:1
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Explain the development of Cubism through the collaboritive efforts of Picasso and Braque. What were Picasso's inspirations when he painted "Les Demoiselles d'Avignon". How did Picasso and braque move from that seminal work to Analytic Cubist ideas, and then to Synthetic Cubism? Bring in at least 3 examples of their work to illustrate the qualities of Analytic and Synthetic Cubism.

When introducing the artwork provide artist name, title of the work, date and present location.

Source:Stokstad, marilyn. 2005. Art History. New York: Harry N. Abrams, Inc

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References

Stokstad, marilyn. 2005. Art History. New York: Harry N. Abrams, Inc.

Barr, a.H., Sandler, I and Newman, a. 1986 Defining Modern Art: Selected Writings of Alfred H. Barr, Jr. New York: Harry N. Abrams, Inc.

Florman, Lisa. 2003. "The Difference Experience Makes in 'The Philosophical Brothel'." Art Bulletin 85(4): 769-83;

Paintings from next page

Source:

http://moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A4609&page_number=17&template_id=1&sort_order=1http://moma.org/collection/depts/paint_sculpt/blowups/paint_sculpt_006.html

Georges Braque: Violin and Jug

Source:

http://artyfactory.com/art_appreciation/art_movements/cubism.htm

Picasso, Still life with Caning Chair

Source: http://artyfactory.com/art_appreciation/art_movements/cubism.htm

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Title: Cubist Cubism Sculpture

  • Total Pages: 8
  • Words: 2572
  • References:0
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: Topic of Research Paper is Cubist/ Cubism Sculpture:
Alexander Archipenko, Pablo Picasso, and Raymond
Duchamp-Villon
Research Paper is an analysis, criticism, interpretation,
and compare/ contrast of Cubist Sculpture.

Standard Academic Paper - which should include:
1. Introduction ?with a strong thesis statement
underlined
2. Body of paper
3. Conclusion
4. Bibliography
Must include footnotes and bibliography.
Footnotes should give additional information, such
as clarification of ideas, opinions, or other
information related to material that doesn?t fit within
body of text.
No internal citations!
Footnotes should be at bottom of page, so no
necessity to flip back and forth to the end of paper.

References can include books, articles, magazines, internet, etc.
*(Prefer at least 3 book sources out of total 6 sources)

Send email in Microsoft Word Format
Chicago Manual of Style Format
8 pages in length (which excludes the bibliography page)
No table of content, no cover/ title page
Font size/ style: 12/ Times New Roman
Double ?Space
1-inch margin

Resources found that may help, but do not necessarily need to be included:

1. Agee, William C. Raymond Duchamp-Villon
1876-1918.
2. Cowling, Elizabeth. Picasso: Style and Meaning.
3. Karshan, Donald H. Archipenko: The Sculpture and
Graphic Art.
4. Penrose, Roland. The Sculpture of Picasso.

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Bibliography http://www.questia.com/PM.qst?a=o&d=8134619

Archipenko, Alexander. 2000. In The Columbia Encyclopedia 6th ed., edited by Lagasse, Paul. New York: Columbia University Press.

Boeck, Wilhelm, and Jaime Sabartes. Picasso. New York: H.N. Abrams, 1955.

A www.questia.com/PM.qst?a=o&d=473556

Barr, Alfred H., ed. 1954. Masters of Modern Art. New York: Simon and Schuster.

Boeck, Wilhelm, and Jaime Sabartes. 1955. Picasso. New York: H.N. Abrams. http://www.questia.com/PM.qst?a=o&d=78338892

Casson, Stanley. 1928. Some Modern Sculptors. London: Oxford University Press. http://www.questia.com/PM.qst?a=o&d=33438443

Cassou, Jean, Emil Langui, and Nikolaus Pevsner. 1962. Gateway to the Twentieth Century: Art and Culture in a Changing World. New York: McGraw-Hill. http://www.questia.com/PM.qst?a=o&d=74370572

Chilvers, Ian. 1998. A Dictionary of Twentieth-Century Art. Oxford: Oxford University.

Cubism; Sculptural forms give shape to the birth of modern art. ARTS & TRAVEL, Sarasota Herald Tribune, May 12, 2002. www.questia.com/PM.qst?a=o&d=54855391

1996. The Concise Oxford Dictionary of Art and Artists. Ed. Ian Chilvers. 2nd ed. Oxford: Oxford University. http://www.questia.com/PM.qst?a=o&d=5001040466

Fitzhardinge, Jodi. 2001. Earth Fire Water Air: Anne Dangar's Letters to Grace Crowley 1930-1951. Journal of Australian Studies: 204. http://www.questia.com/. http://www.questia.com/PM.qst?a=o&d=54724426

Giedion-Welcker, Carola. 1960. Contemporary Sculpture: An Evolution in Volume and Space. Revised ed. New York: G. Wittenborn. http://www.questia.com/PM.qst?a=o&d=9102467

Golding, John. 1959. Cubism A History and an Analysis, 1907-1944. London: Faber and Faber Limited. http://www.questia.com/PM.qst?a=o&d=9767934

Haftmann, Werner, Alfred Hentzen, and William S. Lieberman. 1957. German Art of the Twentieth Century. Ed. Andrew Carnduff Ritchie. New York: Museum of Modern Art. http://www.questia.com/PM.qst?a=o&d=5000986079

Papazian, Claudia. 2001. Picasso. In 3-D. School Arts, April, 32. http://www.questia.com/. http://www.questia.com/PM.qst?a=o&d=786516

Read, Herbert. 1959. A Concise History of Modern Painting. New York: Praeger. http://www.questia.com/PM.qst?a=o&d=5000639663

Ries, Martin. 2002. Andre Masson: Surrealism and His Discontents. Art Journal 61, no. 4: 74+. http://www.questia.com/PM.qst?a=o&d=87800581

Rosenblum, Robert. 1961. Cubism and Twentieth-Century Art. New York: Abrams. http://www.questia.com/PM.qst?a=o&d=7742208

Seitz, William C. 1961. The Art of Assemblage. New York: Doubleday and Company, Inc. http://www.questia.com/PM.qst?a=o&d=11735968

Selz, Jean. 1963. Modern Sculpture: Origins and Evolution. trans. Michelson, Annette. New York: G. Braziller. http://www.questia.com/PM.qst?a=o&d=97398230

Valentiner, W.R. 1946. Origins of Modern Sculpture. New York: Wittenborn. http://www.questia.com/PM.qst?a=o&d=96426567

Wallach, Alan. 1992. The Museum of Modern Art: The Past's Future. Journal of Design History 5, no. 3: 207-215. http://www.questia.com/PM.qst?a=o&d=5000491123

Wilson, William S. 1997. Picasso. Art Journal 56, no. 1: 88+. http://www.questia.com/PM.qst?a=o&d=5000423641

Wolter-Abele, Andrea. 1996. How Science and Technology Changed Art. History Today, November, 64+.

The term 'Cubism" was not initially adopted by the artists in question and it only later became a term to describe this style of art.

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