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Essay Instructions: criticism of Virginia Woolf's "Angel in the House". Must follow outline and Sonja K. Foss's guidelines in "Rhetorical Criticism: exploration and practice".
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Essay Instructions: Isolate the key principles from the assigned reading that introduce additional modern key issues that build on the Module 1 book. Isolate key principles and issues reference organizational theory and state them in clear and concise terms. Write a 4-5 page essay (between 1000-1300 words) articulating these findings, identifying which of these theories are currently being discussed in criticisms of the government (e.g., the 9/11report).

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Essay Instructions: I'm analyzing Howard Stern using social criticism. Describe what it means to conduct social criticism and how you will apply it to Howard Stern.

Essay Instructions: Hi,

Would it be possible for you to do it in Spanish? If so, I have attached the equivalent underneath in this language (*). If not, here is the layout and instructions of what I need in English:


"Social Criticism of “Luces de Bohemia” of Valle-Inclán”

1. Introduction of Ramón María del Valle-Inclán; his Life, Work and Background.

2. Synopsis of “Luces de Bohemia”

3. Social Criticism of “Luces de Bohemia”
3.1. His environment; Time, Space and Historical Moment.
3.2. Theatre of the Grotesque
(Translation of “esperpento”, which is a term created by Valle-Inclán).
3.3. Characters of the Play

4. Conclusion.

5. Bibliography.

Times New Roman, 12
PLEASE WRITE THE PAGE NUMBER YOU USE WHEN REFERENCING, QUOTING, ETC; “Bla, bla…” (XXXXXXXXXXXX, page 49).

IT HAS TO BE CRITICAL PROVIDING A VERY PERSONAL POINT OF VIEW! THIS IS ACTUALLY EXTREMELY IMPORTANT AS A LOT HAS ALREADY BEEN DONE IN THIS FIELD...

THANKS A LOT!!




(*) "Crítica Social de "Luces de Bohemia" de Valle Inclán"


1. Introducción. Ramón de Valle-Inclán. Su vida, obra y visión política.

2. Sinopsis de "Luces de Bohemia".

3. Crítica Social de "Luces de Bohemia".
3.1. Entorno; Tiempo, Espacio y Momento Histórico.
3.2. El Esperpento
3.3. Personajes de la Obra.

4. Conclusión
5. Bibliografía