Comedy Of Errors Essays and Research Papers

Instructions for Comedy Of Errors College Essay Examples

Title: difference between New Historists viewpoints on Renaissance drama and Cultural Materialists viewpoints

  • Total Pages: 8
  • Words: 2688
  • References:4
  • Citation Style: MLA
  • Document Type: Essay
Essay Instructions: request for awest!

This is a Masters level paper and this information needs to be forwarded to Mark in your customer service dept. He and I emailed and he said he has a specific writer for the work.
Prompt: In recent years, two related and overlapping schools of literary theory have nevertheless offered competing responses to the relationship between Renaissance drama and the political power of Tudor and stuart Britain. Where the New Historists have tended to see plays of the period reinforcing the prevailing ideology of the early modern court, civice authorities, Church and government, the (mostly British, and with whom I mostly agree)Cultural Materialists have discerned in the same plays various forms of political and cultural subversion against these forces. Examine Shakespeare's "The Comedy of Errors," Ben Jonson's "The Alchemist," Thomas Kyd's "The Spanish Tragedy," and Heywood's "A Woman Killed with Kindness" from the perspective of these two modes of criticism/theory. As you make the argument, remain sensitive to the complexities of these modes, taking into account the social, theoretical, and critical movements that have informed them.

Four different critics must be used; however, only one or two direct quotes (and only very short ones) are to be used. Two critics should come from the New Historist camp and two from the Cultural Materialist camp. Please notify me if you have any questions.
Thanks

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References:

Works Cited

Bate, Jonathan. Shakespeare and Ovid. New York: Oxford University Press, 1994.

Bertens, Hans. Literary Theory: The Basics. London: Routledge, 2001.

Bradshaw, Graham. Misrepresentations: Shakespeare and the Materialists. Ithaca, NY: Cornell University Press, 1993.

Cartelli, Thomas. Marlowe, Shakespeare and the Economy of Theatrical Experience. Philadelphia: University of Pennsylvania Press, 1991.

Crane, Mary Thomas. Shakespeare's Brain: Reading with Cognitive Theory. Princeton, NJ: Princeton University Press, 2001.

Easthope, Antony. Literary into Cultural Studies. New York: Routledge, 1991.

Fossen, R.W. (Ed). A Woman Killed with Kindness. Cambridge: Harvard University Press, 1961.

Grady, Hugh. The Modernist Shakespeare: Critical Texts in a Material World. Oxford: Clarendon Press, 1994.

Greer, Germaine. Shakespeare: A Very Short Introduction. Oxford, UK: Oxford University Press, 2002.

Hunter, G.K. English Drama 1586-1642: The Age of Shakespeare. Oxford: Clarendon Press, 1997.

Lett, James. The Human Enterprise: A Critical Introduction to Anthropological Theory. Boulder, CO: Westview Press, 1987.

Low, Jennifer. (2002). "Matthew R. Martin. Between Theater and Philosophy: Skepticism in the Major City Comedies of Ben Jonson and Thomas Middleton. Comparative Drama 464.

MacDonald, Susan Peck. Professional Academic Writing in the Humanities and Social Sciences. Carbondale, IL: Southern Illinois University Press, 1994.

McEvoy, Sean. Shakespeare: The Basics. London: Routledge, 2000.

Mcguire, Philip C. (1994). "Recent Studies in Tudor and Stuart Drama." Studies in English Literature, 1500-1900 34(2):443.

Orlin, Lena Cowen. Private Matters and Public Culture in Post-Reformation England. Ithaca, NY: Cornell University Press, 1994.

Rozett, Martha Tuck. (1996). "Constructing a World: How Postmodern Historical Fiction Reimagines the Past." CLIO 25(2):145.

Thayer, C.G. Ben Jonson: Studies in the Plays. Norman, OK: University of Oklahoma Press, 1963.

Wilson, Scott. (2002). "The Vanishing: Shakespeare, the Subject and Early Modern Culture." Shakespeare Studies 309.

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Title: the woman question of 4 primary works by different authors of Englisn Renaissance lit

  • Total Pages: 8
  • Words: 2796
  • Works Cited:5
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: The thesis must include Shakespeare's "The Comedy of Errors," Thomas Heywood's "A Woman Killed with Kindness," Ben Jonson's "The Alchemist," and Rachel Speght's "A Muzzle for Melastomus" and "The Dream." Aemilia Lanyer may replace Jonson or Shakespeare. The thesis will respond directly with these works (it must be 4 different authors)in regard to the "woman question" prevalent during the Renaissance as a consequence of the Reformation, economic changes, and new attitudes towards marriage. Conduct and marriage manuals of the time should be mentioned. So the thesis will engage in responding to prevalent attitudes in these works about gender. How do these authors position themselves on "the woman quesion"?
I will need the thesis, primary, and secondary sources emailed to me asap, so I can see if they are acceptable. The essay must be in MLA format with a works cited page. Very little direct quotation should be used.

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Excerpt From Essay:
Works Cited:

References

Barish, Jonas. Ben Jonson. Englewood Cliffs, NJ: Prentice Hall, 1963.

Braun, Lily, and Meyer, Alfred. Selected Writings on Feminism and Socialism. Gary: Indiana University Press, 1987.

Castiglione, Baldassare. "The Courtier." In Three Renaissance Classics. NY: Charles Scribner's Sons, 1953, 242-624

De Vroom, Theresia. Female Heroism in Thomas Heywood's Tragic Farce of Adultery. NY: Palgrave, 2002.

Kelly, Joan. "Did Women have a Renaissance?" Renate Bridenthal and Claudia Koonz (eds.) Becoming Visible: Women in European History. Boston: Houghton Mifflin, 1977, 137-64.

Lewalkski, Barbara Kiefer. The Polemics and Poems of Rachel Speght Oxford, Oxford University Press, 1996

Messbarger, Rebecca. Reforming the Female Class. Eighteenth-Century Studies 32.3 (1999) 355-369.

Miller, Noami J. "Mother Tongues: Maternity and Subjectivity." Aemilia Lanyer: Gender, Genre, and the Canon. Ed. Marshall Grossman, 143-160

Payne, John, and Hunter, Michael. Renaissance Literature. Malden, MA: 2003.

Travitsky, Betty, and Prescott, Anne Lake. Female and Male Voices in Early Modern England. NY: Columbia University, 2000

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