Comedy Essays and Research Papers

Instructions for Comedy College Essay Examples

Title: Comedy and Tragedy

  • Total Pages: 3
  • Words: 1248
  • References:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: "the popular distinctions between comedy and tragedy are faily simple: comedy is funny; tragedy is sad. Comedy has a happey ending, tragedy an unhappy one....Succcessful tragedies though they involove suffering and sadness, do not leave the specator depressed. Some funny plays have sad endings" T.A. Arp

Imagine your are a literary critic working for the NY times. It is the year 2050. Your assinment is to consiter the above qutoe and write an analysis of it, using as evidence, refernce, and focal points the plays discussaed in class for this course.

Oedipus Rex
A Dolls House
Glass Menagerie
Death of a Salesman

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Title: Nora Ephron and Romantic Comedies

  • Total Pages: 10
  • Words: 2989
  • Works Cited:10
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: Prompt: Nora Ephron’s You’ve Got Mail (2001) is a remake of the Ernst Lubitsch film, The Shop Around the Corner (1940). In your paper, compare and contrast the two films and consider the ways in which each film uses humor to support and/or subvert the classical Hollywood romantic comedy plot as articulated by the Kristine Karnick and Doug Williams readings. Your paper should examine the chief characteristics of romantic comedy and explore specifically how Ephron updates and augments “classical” features with contemporary attitudes on gender, class, race, and sex. Be sure to use specific examples from both films to illustrate your points.

I will be sending in lecture notes, look specifically at the last tab on the lecture notes for information on Nora Ephron and romantic comedies.

i will also be sending in two readings that might be helpful.

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Works Cited:


Bowman, Barbara . Master Space: Film Images of Capra, Lubitsch, Sternberg, and Wyler. New York: Greenwood Press, 1992.

Ciecko, Anne. "Hollywood's "Scriptgirls." Literature/Film Quarterly (2000): 33-55.

Duralde, Alonso. "Where the Gays Are: A Quick Look at the Queerest Movies the Season Has to Offer. (Summer Movie Special)." The Advocate (the national gay & lesbian newsmagazine) (2002): 33-44.

Kaufman, David. "Unfinished Women." 27 January 2003. The Nation. 1 May 2013.

Richmond, Hugh M. Shakespeare's Sexual Comedy: A Mirror for Lovers. Indianapolis: Bobbs-Merrill, 1971.

Smith, Geoffrey Nowell. The Oxford History of World Cinema. Oxford: Oxfors University Press, 1997.

Ulea, V. . A Concept of Dramatic Genre and the Comedy of a New Type: Chess, Literature, and Film. Carbondale, IL: Southern Illinois University Press, 2002.

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Title: comedy genre study

  • Total Pages: 4
  • Words: 1815
  • Bibliography:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: choose three films from the genre (using the list of films below), compare and contrast and don't forget to identify the conventions of the genre. The Belton text is a good starting point for research, but outside research is required. Dirks and Thomas Schatz are two good writers on genre theory. discussion on THE RULES of GENRE SHOULD BE THOROUGH.


show your understanding of the "rules" that govern the particular genre (e.g., attributes of the main character, roles of women, qualities of the villain, narrative conventions, conventions of the setting, etc.). you should also reflect on social and historical trends in relationship to the films, the times that they portray, and the times in which they were made.

discuss and analyze 3 comedy films in terms of the genre. Discuss the genre story pattern, stereotypical characters, icons, and basic conventions as well as the social function of the genre. Analyze how the film conforms to and/or differs from established genre expectations, and posit reasons.

include a minimum of 3 additional scholarly resources (excluding your course materials). Make sure to follow proper MLA or APA formatting and check grammar, spelling and mechanics before submitting.

*Thomas Schatz teaches film at the Univ. of Texas in Austin and has written several books and numerous essays on the topic of film genres in general and westerns and war films in particular.

film choices: Bringing Up Baby (1938), Some Like It Hot (1959), The Graduate (1967), Annie Hall (1977), Say Anything (1989), The Holiday (2006)
please use proper language and specific cinematic terms you absolutely must reference 3 scholarly resources. please do not double space and provide mla format bibl. seperately.

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Brown, G. Movie Time: A Chronology of Hollywod. New York: McMillan, 1995.

Byrge, D. The Screwball Comedy Films. New York: McFarland, 1991.

"Censored Films and Television." January 2000. University of Virginia. September 2010 .

Dale, A. Comedy is a Man in Trouble. Minneapolis: University of Minnesota Press, 2001.

Ebert, R. "Some Like It Hot." 9 January 2000. Roger 12 September 2010 .

Engleking, A. "A Barbed But Generous Comedy of Manners." 17 June 2010. Memphis Flyer. 12 September 2010 .

Greig, J. The Psychology of Laughter and Comedy. Charleston, SC: Nabu Press, 2010.

Henderson, J. "Comic Hero vs. Political Elite." al, Sommerstein et. Tragedy, Comedy and the Polis. Bari, Italy: Levanti Editori, 1993. 307-19.

King, G. Film Comedy. London: Wallflower Press, 2002.

Mast, G. The Comic Mind: Comedy and the Movies. Chicago: University of Chicago Press, 1979.

Metz, W. Engaging Film Criticism: Film History and Contemporary American Cinema. Peter Lang: Peter Lang, 2004.

Russo, V. The Celluloid Closet. New York: Harper and Row, 1987.

Schatz, T. Holywood Genres: Formulas, Filmaking, and the Studio System. New York: McGraw Hill, 1981.

While the term may have been used in slang that Grant and Hepburn were familiar with, it was ad-lib, not in the script. The scene in question has Grant's character wearing a woman's negligee, and when asked about it, replies, "Because I just went gay all of a sudden," the double entendre meaning "happy" or referencing homosexuality. The general public did not really become familiar with the term until the 1960ss, but no one in the film ever confirmed the reference (Russo 47).

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Title: Tragedy and comedy

  • Total Pages: 5
  • Words: 1935
  • Sources:5
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: I have begun to write a paper which illustrates the simlilarities and differences of traedy and Comedy. I have used Greek and Shakespearean Drama as my points of focus. from each genre, I have used Oedipus rex, Lysistrata, A midsummer Nights dream, and othello as evidence to my claims. The paper is mean to explore the structure of tragedy and drama during the perspective periods and as a whole. please e-mail me with any articles or sources, as I will continue to work on the paper as well. If you can also focus on researching Comedy in both Greek and Shakespearean Drama that would be greatly appreciated, my expertise is more grounded in the tragedy aspect of this paper. The cruicial aspect must connect all the major points and bring to fruition the realization that although different in delivery, and structure, both comedy and drama provide a cruicial focal point in the reflection and questioning of human exsistence.
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Works Cited

Bradbrook, Murel Clara, the Growth and Structure of Elizabethan Comedy. University of California Press, 1956.

Burkert, W. Greek Tragedy and Sacrificial Ritual. Greek, Roman, and Byzantine Studies 7 (1966): 87-121.

Englert, Walter. Ancient Greek Theater. Reed Library. Retrieved May 18, 2007 at

McKee, Robert. Story: Substance, Structure, Style and the Principles of Screenwriting. New York, NY: Harper. 1997.

McManus, Barbara. Tools for Analyzing Prose Fiction. 1998.

Shakespeare, William, the Comedy of Errors. (Levin, Harry, ed) New York, NY: Penguin Putnam, Inc., 2002.

Worrall, David. Theatric Revolution: Drama, Censorship and Romantic Period Subcultures 1773-1832. London: Oxford University Press. 2006.

McKee's students have written, directed, or produced Air Force One, the Deer Hunter, E.R., a Fish Called Wanda, Forrest Gump, NYPD Blue, and Sleepless in Seattle.

Fate is another Greek word meaning the three personifications of destiny in Greco-Roman stories and myths. The three Fates were Clotho, the spinner; Lachesis, the measurer of the thread of life; and Atropos, the cutter of the thread of life.

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