Clockwork Orange Essays and Research Papers

Instructions for Clockwork Orange College Essay Examples

Title: A Clockwork Orange

  • Total Pages: 5
  • Words: 1706
  • Works Cited:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Assignment:
Read A Clockwork Orange by Anthony Burgess. Write 5-page essay exploring and explaining use of conditioning as it relates to behavioral psychology. Use many examples.

If needed to reach minimum length OK to use quotes, citations, definitions of conditioning, etc.

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Works Cited:

References

Burgess, a. (1962). A Clockwork Orange. New York: Penguin.

Zimmer, G. (1999). B.F. Skinner. Behaviorism. Retrieved November 8, 2004 from Say No to Psychiatry. Web site: http://www.sntp.net/behaviorism/skinner.htm.

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Title: Stanley Kubrick

  • Total Pages: 14
  • Words: 4124
  • Bibliography:0
  • Citation Style: APA
  • Document Type: Research Paper
Essay Instructions: This is an open thesis paper for a capstone class. I need a paper on Stanley Kubrick that basically analyzes some of his most important works, such as "2001: A Space Odyssey" and "A Clockwork Orange." I need the paper to describe a little about the man himself, his style, and the themes expressed in his films. A common theme or visual style can be chosen as a thesis to give one example.

My writing style is not very sophisticated, but rather straightforward, so please do not use an abundance of fancy words.

There are plenty of books on Stanley Kubrick, so I expect a good amount of sources.

The title I chose for the paper is "The Madness of Stanley Kubrick: An Avante Garde Analysis." This is supposed to be a 25 page paper so I need all the help I can get. Please email me with any questions.

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References

Badley, L. (1995). Film, horror and the body fantastic. Westport, CT: Greenwood Press.

Booker, M.K. (1999). Film and the American left: A research guide. Westport, CT: Greenwood Press.

Cook, D.A. (1996). A history of narrative film. New York W.W. Norton.

Falsetto, M. (2001). Stanley Kubrick: A narrative and stylistic analysis. Westport, CT: Praeger.

Freeland, C.A. (2000). The naked and the undead: Evil and the appeal of horror. Boulder, CO: Westview Press.

Jacobs, L. (2002, December). Fight club. New Criterion, 21(4), 55.

Komninou, E. (2003). AI: Man, machines and love. Futures, 35(7), 793.

Kubrick, Stanley. (2004). The Columbia Encyclopedia, 6th ed.). New York: Columbia University Press.

Man, G. (1994). Radical visions: American film renaissance, 1967-1976. Westport, CT: Greenwood Press.

Mcdougal, S.Y. (2003). Stanley Kubrick's a clockwork orange. Cambridge, England: Cambridge University Press.

Mckissack, F. (1999, September). My Stanley Kubrick. The Progressive, 63(9), 39.

Nowell-Smith, G. (1997). The Oxford history of world cinema. Oxford: Oxford University Press.

Whitinger, R., & Ingram, S. (2003). Schnitzler, Kubrick and 'Fidelio.' Mosaic, 36(3), 55.

Sharrett, C. (1999, July). The legacy of Stanley Kubrick. USA Today, 128(2650), 61

Sperb, J. (2004). The country of the mind in Kubrick's fear and desire. Film Criticism, 29(1), 23- 24.

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Title: look at the detailed description

  • Total Pages: 5
  • Words: 1543
  • Sources:1
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: so this is my question in detail=
In a full five page paper, please respond to the following prompt: Imagine that one of the unusual “independent” films we have watched in the second half of the semester – The Gleaners and I, Elephant, A Clockwork Orange – is brought before a traditional Hollywood producer, such as the ones found in Faces or Sunset Boulevard. What changes would a typical Hollywood studio demand be made of that film before they would agree to give the project a green-light? Be sure to point to specifics from the film you choose to help fully develop your response. One’s answer should aim to illuminate both the characteristics of a typical Hollywood film as well as the ways in which the film you choose breaks from those conventions. One might want to consider issues such as social commentary vs. marketability, narrative structure, cinematography (camera type, length of shot, etc.), art vs. entertainment, casting, how the film would be promoted, scripts, “dumbing down for” vs. “challenging” audiences, genre expectations, etc. Strong papers tend to be thesis driven, rich in content and concerned about strong, local-level writing practices.

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Works cited:

1. A Clockwork Orange. Dir. Stanley Kubrick. Warner Bros, 1972.

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Title: Great Britain in the 20th century

  • Total Pages: 6
  • Words: 1696
  • References:2
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: In this paper I would like you to tell a story about Great Britain in the 20th century. Think of all the things that changed in Great Britain in the course of the 20th century: the nation went from being the world's greatest military, economic, and colonial power to being a relatively minor power. There were also tremendous political changes: think of the difference between Queen Victoria and Queen Elizabeth II. Women also gained the vote, entered the workforce in great numbers, and attained equal rights, at least in theory. The class system also changed greatly, the nation became a "welfare state," and the country became increasingly diverse as people from former colonies moved to England. I could go on and on.

What I'd like you to do in the paper is discuss how changes like those listed above are reflected in the texts we have read: what does "Karain" tell us about Great Britain in 1895? What does "Daughters of the Late Colonel" tell us about the 20s? And so on.

You do not need to refer to all of the texts we have read this term. At a minimum, you should address at least one of the three stories we have read ("Karain," "Daughters of the Late Colonel") as well as "1984," "A Clockwork Orange," and "Henry Potter and the Sorcerer's Stone."

You basically just need to pick 2 texts. One out of "Karain," "Daughters of the Late Colonel” and one out of "1984," "A Clockwork Orange," and "Henry Potter and the Sorcerer's Stone."

It is okay to use the first person in this paper.

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References:

Works Cited

Burgess, Anthony. A Clockwork Orange. New York W.W. Norton and Company. 1962.

Mansfield, Katherine. "The Daughters of the Late Colonel." The Norton Anthology of English Literature. Vol. II W.W. Norton and Company. New York: 1986.

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