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Essay Instructions: After reading "Clothes" by Chitra Divakaruni discuss "Clothes" as an initiation story. Be sure to tell how the story meets the criteria to be considered an initiation story.

Example:

“Clothes” by Chitra Divakaruni is an initiation story in which Sumita is the protagonist. An initiation story contains three parts which are often described as the three stages of innocence, experience, and maturity that the protagonist experiences. Sumita experiences innocence the night after the wedding when Somesh tells her about the 7-Eleven that he helps run and some of the products that they sell. She had never heard of a 7-Eleven or all those products until Somesh told her. Sumita gains experience when she marries Somesh and moves to California. She learns about how marriage works and the American way of life. Sumita grows more mature when she has to deal with the death of her husband. She starts thinking about what she wants to do with her life and what she has to do to survive in the United States.

I will need a thesis statement and three sources that are not from the internet.

Essay Instructions: this is comparison and contrast essay based on the poem"Indian Movie, New Jersey" by Chitra Divakaruni and essay "Notes of a native Speaker" by Eric Liu.
1.Introduction_mention topic, 2 authors, 2 titles
2.Text 1: topic, quotes, explain
3.Text 2: topic, quotes, compare to text 1
4. Your thoughts, opinions, observations
5. conclusion: topic
no internet use
There are faxes for this order.

Essay Instructions: Hi there, here is the prompt of this essay:

Do terms like ?Asian American Music,? ?Asian American Literature,? ?Asian American Humor,? and so on promote or challenge social segregation in U.S. society? By extension, should race and ethnicity play a role in how our class is organized? [Discuss how some of the artwork examined in class may serve to reinforce or critique segregation in U.S. society. Again, roughly 8-9 artwork references should be analyzed.]

This essay will require 8-9 examples from artwork :
1 ? Sudden Rush?s performance of ?EA?
1 ? the visual artwork of Kango Takemura
1 ? discussing monkey?s story in American Born Chinese
1 ? a poem by a member from Khmer Girls in Action
1 ? Chitra Divakaruni?s short story ?Clothes?
1 ? discussion of poems using certain themes / motifs in Russell Leong?s article Poetry Within Earshot
1 ? discussion of some trends in KPop and/or the music itself
1? jokes about Asians by the comedian Russell Peters

Before you guys take my order, please make sure that "MY ESSAY REQUIRES PARTICULAR EXAMPLES FROM SPECIFIC SOURCES". If you guys need I can provide these sources, but I think these articles should be found on the internet. If you guys are not able to do so, please let me know, I will be happy to take my refund. Last semester, I ordered something similar but you guys didn't use examples from the articles I included. SO this time, Please make sure before writing my order, so I don't waste my money and you guys don't waste your time. Thanks for understanding. And I need my order completed by this Thursday. (I put 3 days in my order) if you need more time or I have to pay more for your time reading the articles, let me know) Money is not really a problem, just make sure the my order can be completed correctly and nicely.

Thank you,

Essay Instructions: This is order is for "Cathii". I will email a Word document with links to the readings for the first book. I will fax copies of the second reading tomorrow. Questions for the research are included below.

Reading material: Asian American Literature and Context -
Lee: “Eat a Bowl of Tea: Fictions of America’s Asia, Fictions of Asia’s America";
and
“Sites: Indian Country, Asiatown, Black City , Barrio, Borderland, Migrancy.”

Reading material to be faxed tomorrow: Brown & Ling: “In the Land of the Free,” by Sui Sin Far; “They Won't Crack It Open,” by Kim Yong Ik; “Silver Pavement, Golden Roofs,” by Chitra Divakaruni; “Japanese Hamlet,” Toshio Mori; and “Gussuk,” by Mei Mei Evans.

3 Questions to consider
1) In one page, examine the motif of blindness in Kim Yong Ik's "They Won't Crack It Open": broadly consider who is blind, who can see clearly, what are they blind to, how do each of the characters demonstrate their blindness. In what ways might a symbolic or metaphorical blindness come into play in the stories read thus far for this course?

2) In Kim Yong Ik's "They Won't Crack It Open" and Chitra Divakaruni's "Silver Pavement, Golden Streets," we have two accounts of the imagined America and the reality of America. In one page, discuss how the authors slowly build toward disillusionment, and how you relate both to the characters' disillusion and the American circumstances that cause it.

3) In one page, analyze the numerous ethnic/racial/gender-based terminology introduced in Evans’s story about Lucy’s encounter with native Alaskans. What role does this terminology play in the story? How is Lucy’s sense of identity affected by them? Ultimately, what ironies is Evans attempting to highlight through her use of these terms, and through her depiction of Lucy’s various encounters with Alaskans?



There are faxes for this order.