Aesthetics Essays and Research Papers

Instructions for Aesthetics College Essay Examples

Title: book review on aesthetics of change

  • Total Pages: 2
  • Words: 617
  • Bibliography:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: To: A West

Please A. West to help writing.

2 pages book review on "aesthetics of change" by
Bradford P. Keeney.

The review should follow your questions, excitement,
frustration, learning and play with the ideas of the
book. Does the auther interweave the ideas of daoism
into the book? Please explain.

What's the similarities between daoism and author's
approach? Try best to connect daoism for
understanding.

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Bibliography:

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Title: Aesthetics contemporary product designs

  • Total Pages: 5
  • Words: 2194
  • Sources:7
  • Citation Style: APA
  • Document Type: Research Paper
Essay Instructions: Use APA 6th referencing and in text referencing as well.

This is the brief:

Basic design elements like colour, texture and shape are important in our evaluation of products, influencing whether we admire, choose, or reject them as unworthy. Design theorist and curator Deyan Sudjic for example critiques a lack of consistency in the failure of Apple to supply colour-matched cables with his new MacBook, he writes that Apple’s design team “had been clever, [but] they had not been clever enough.”(2008, p. 16) How does consistency in the design of products impact on our perceptions of their value? Carefully compare and contrast three contemporary product designs, two of which are aesthetically consistent and therefore successful, another which is inconsistent, to support your argument.

The essay doesn't only have to include about the aesthetics, it can also include semiotics (design language),design language is about how the qualities of a design communicate to people.


Set reading (compulsory)
Heskett, J. (2002) Utility and Significance. New York: Oxford University Press.
Hustwit, G. (Writer & director) (2009) Objectified. New York, USA: Swiss Dots.
Sudjic, D. (2008) The Language of Things. London, UK: Allen Lane.
Thackara, J. (2006). In the Bubble: Designing in a Complex World. Cambridge, Mass: MIT Press.


You will need access to two of the set readings:

http://web.ebscohost.com.ezproxy.lib.swin.edu.au/ehost/detail?sid=eec78401-60d4-4ace-a35e-46a3e4328c75%40sessionmgr4&vid=1&hid=12&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#db=nlebk&AN=138435

from this website you will need my student ID and password,
the student ID is: 7460767
the password is: m64754333

there is another set reading but I only can attach it.

You will need to provide image and include just the image source below the image.

Here is a checklist for what needs to be completed:

1. Have you identified and discussed one question / contemporary design issue? Have you identified this question in your introduction? Have you discussed this question / issue throughout your essay? Is your conclusion also about this question / issue and what you think about it?
2. Have you defined any technical or other terms in your introductory paragraphs? (Terms such as ‘user-centred’, ‘paradigm shift’, ‘cradle to cradle’, ‘greenwashing’ or ‘sustainability’.)
3. Is your written assignment an argumentative article combining your set reading, research and your own ideas about it?
4. Have you referred to and described the set number of examples of design/media (visual analysis) to support and illustrate your ideas and comments about your contemporary design issue? Make sure you list the full name of the design/film/site, the designer/director, etc and the date ??" use images where you can.
5. Are all quotes acknowledged with double inverted commas with an in-text reference to the source in brackets? (See the APA6th Edition instructions ??" consider using a printout as you write).
6. Have you used the set texts? Have you read carefully and written analytically and critically about the ideas? Have you discussed/referred to their key arguments and your ideas about your chosen question / contemporary design issue?
7. Have you done some additional independent research about the issue including books and web sources? Have you used scholarly journal articles? Have you discussed the issues and arguments you found out about in this additional research?
8. Have you provided images with a caption (1 sentence) for each and identified the source of all images used?
9. Have you listed all the items used in your research in a reference list on a separate page at the end of the article? All websites, blogs, journal articles, books, films and lectures that you have read and used to write your article must be in your reference list ??" including the set (and recommended) texts you have used.
10. Is the reference list laid out correctly and in alphabetical author surname or web address (a,b,c…) order.
Failing to acknowledge use of copyright material represents failure to follow the brief and will result in a zero mark.
11. Is your essay between 1400 and 1700 words, not counting the reference list?
12. Have you aligned the text to the left, created a 4-5cm margin on the left, used 11 to 12 point type, 1.5 line spacing and numbered the pages? Please note that # 12 and # 13 count for your marks for presentation.


There are faxes for this order.

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Sources:

Works Cited

Center for Universal Design Research North Carolina State University. (2008, March). Principles of Universal Design. Retrieved from Design.ncsu.edu: http://www.design.ncsu.edu/cudabout_ud/udprinciples.htm

Cloake, F. (2012, April 25). Can the Shape of Your Glass Enhance the Taste of the Wine. Retrieved from the Guardian - Food and Drink: http://www.guardian.co.uk/lifeandstyle/2012/apr/25/shape-of-glass-enhance-wine

Dorsa, E. (2002). An Introduction to Universal Design. The Technology Teacher, 61(2), 27-35.

Elam, K. (2001). The Geometry of Design. New York: Princeton Architectural Press.

Heskett, J. (2002). Utility and Significance. New York: Oxford University Press.

Norman, D. (2002). The Design of Everyday THings. New York: Basic Books.

Norman, D. (2009). The Design of Future Things. New York: Basic Books.

Petroski, H. (1994). Evolution of Useful Things. New York: Vintage Press.

Ralph, P., & Wand, Y. (2009). A Proposal for a Formal Definition of the Design Concept. In K. Lyytinen (Ed.), Design Requirements Workshop (pp. 103-36). New York: Springer.

Sudjic, D. (2009). The Language of Things: Understanding the World of Desirable Objects. New York: Norton.

http://www.fotoperson.com/allwinery/aboutwine/wine_glasses.htm

http://www.kaboodle.com/reviews/fuze-slenderize-variety-pack-15-18.5-oz.-5-blueberry-raspberry-5-strawberry-melon-5-tropical-punch

http://www.drinkarizona.com/

http://www.webdesignerdepot.com/2009/05/50-beautiful-and-effective-package-designs/

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Title: Medicis Aesthetics

  • Total Pages: 3
  • Words: 719
  • References:0
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Please provide a swot of Medicis Aesthetics and its competitors, please discuss what products it competes with and the advantages and disadvantages of the products versus the competitors also discuss cost and compare.

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Title: Hanna Segal's Psychoanalytic Approach to Aesthetics

  • Total Pages: 20
  • Words: 5573
  • Works Cited:0
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: Ezra Naim

Requesting the writer with the username: hala





?The essence of the aesthetic creation is a resolution of the central depressive situation and that the main factor in the aesthetic experience is the identification with this process?
H. Sega, (1981) p. 204

In a context that refers to the work of all artists, Segal says, ?all creation is really a recreation of a once-loved and once whole, but now lost and ruined object, a ruined internal world and self. It is when the world within us is destroyed, when it is dead and loveless, when our loved ones are in fragments, and we ourselves in helpless despair ? it is then that we must recreate our world anew, reassemble the pieces, infuse life into dead fragments, recreate life?. (1981 p. 190)

Hanna Segal?s ?Psychoanalytic Approach to Aesthetics?, and in particular the above quotes are the central material for this essay. All references to substantiate this perspective are to be used from the list of references below.

This customized essay is expected to consist of a thorough, in-depth, well thought out critical engagement within the field of psychoanalytic theory and practice. It should be clear and concise and structured intelligible for arguments to come across well, as meaningful evidence is made available toward its thesis ? and without the use of unnecessary academic jargon, or dictionary-like itemization.

The work requires:
an abstract
an introduction
proper referencing standards
and a bibliography*,
*consisting of the material within the below mentioned references

Please get in touch with me should you have any further questions.
Sincerely, Ezra Naim






References to be used:

A Psychoanalytic Approach to Aesthetics
Hanna Segal, (1981)

Mental Space
Robert M. Young, (1994)
Chapter 2

Melanie Klein:
The Paranoid Schizoid Position, The Depressive Position

Winnicott: ?Creativity and its Origin? (1971)

Freud:
stnd.edt.comlt ps.wrk.
Specifically: Beyond the Pleasure Principle
Mourning and Melancholia

Elliot Jaques, (1965). "Death and the Mid-Life Crisis". The International Journal of PsychoAnalysis, Vol. 46 (0ct.) Reprinted in (1990) Creativity and Work


PSYCHOANALYTIC AESTHETICS: THE BRITISH SCHOOL, chapters: 1,2,3,6
http://human-nature.com/free-associations/glover/chap3.html


AESTHETICS OF HORROR: (firs half of essay)
FREUDIAN THEORY OF ART AND DEATH DRIVE
http://www.nge.nl/Jaarboek2002/14vuyk.pdf

Art and Chaos, Marie-Christine Press
http://www.bbk.ac.uk/lachouette/Chou32/Press32.PDF


?On Not Being Able to Paint?, Marion Milner

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Works Cited:

Sources:

1. Kees Vuijk, Kampen (2002). Aesthetics Of Horror: Freudian Theory Of Art And Death Drive, Jaarboek Voor Esthetica, Accessed on 10-6-2003 at: http://www.nge.nl/Jaarboek2002/14vuyk.pdf

2. Antonio Preti, (1996). The Contribution of Psychiatry to the Study of Creativity Accessed on 10-6-2003 at: http://www.compapp.dcu.ie/~tonyv/MIND/antonio.html

3. Segal, H. (1957). 'A Psychoanalytic Approach to Aesthetics', International Journal of Psycho-Analysis, 33, and in The Work of Hannah Segal 'Notes on Symbol Formation, International Journal of Psycho-Analysis, 38.

4. Klein, M. (1989). The Psychoanalysis of Children, Virgo.

5. Klein, M. (1988). Love, Guilt and Reparation, 1921-1945, Virgo.

6. Freud, S. (various dates) The Standard Edition of the Complete Psychological Works of Sigmund Freud. eds. J. And A. Strachey, A. Freud, and A. Tyson (Hogarth).

7. Winnicott, D.W. (1971). Playing and Reality. New York: Basic Books

Additional Readings

1. L. Trilling, (1966). 'Freud: Within and Beyond Culture', in Beyond Culture p. 92.

2. Andreasen, N.C. And Glick, I.D. (1988). Bipolar affective disorder and creativity implications and clinical management. Comprehensive Psychiatry, 29, pp 207-217/

3. Arieti, S. (1976). Creativity: The magic synthesis. Basic Books, New York

4. Barron, F., Harrington, D.M. (1981). Creativity, Intelligence and personality. Annual Review of Psychology, 32, pp 439-476

5. Braff, D.L. And Geyer, M.A. (1990). Sensorimotor gating and Schizophrenia. Arch. Gen. Psychiatry, 47, pp 181-188

6. Cattell, R.B and Drevdahl, J.E. (1956). A comparison of the personality profile (16 P.F.) of eminent researchers with that of eminent teachers and administrators, and of the general population. Gen. Psych., 46, pp 248-261

7. Dellas, M. And Gaier, E.L. (1970). Identification of creativity in the individual. Psychological Bulletin, 73, pp 55-73

8. Dykes, M. And McGhie, A. (1976). A comparative study of attentional strategies of schizophrenic and highly creative normal subjects. British Journal of Psychiatry, 128, pp 50-56.

9. Freud, S. (1907). Der dichter und das phantasieren. Gesammelte Werke, Imago: London (1940-1952), vol. 7, pp 213-219

10. Goodwin, F. And Jamison, K.R. (1990). Manic-Depressive illness. Goodwin F. And Jamison, K.R. (eds), New York, NY: Oxford University Press.

11. Hansefus, N. And Magaro, P. (1976) creativity and schizophrenia an equality of empirical constructs. British Journal of Psychiatry, 129, pp 346-349

12. Jamison, K.R. (1989). Mood disorders and seasonal patterns in British writers and artists. Psychiatry, 52, pp 125-134

13. Jamison, K.R. (1993). Touched with fire. The Free Press, Macmillan Inc., USA

14. Juda. A. (1949). The relationship between highest mental capacity and psychic abnormalities. American Journal of Psychiatry, 106, pp 296-307

15. Karlsson, J.L. (1978). Inheritance of creative intelligence. Nelson-Hall, Chicago.

16. Klein, M. (1948). Contributions to Psychoanalysis. Hogarth Press, London.

17. Klibansky, R., Panofsky, E. And Saxl F. (1983). Saturn and melancholy. Studies in the history of natural philosophy, religion and art. Thomas Nelson and Sons LTD, London.

18. Kris, E. (1952). Psychoanalytic explorations in Art. International Universities Press, New York.

19. Lombroso, C. (1891). The Man of Genius. (original edition in Italian) Walter Scott, London.

20. Ludwig, A.M. (1989). Reflections on creativity and madness. American Journal of Psychotherapy, 43, pp 4-14.

21. Ludwig, A.M. (1994). Mental illness and creative activity in female writers. American Journal of Psychiatry, 151, pp 1650-1656.

22. McKinnon, D.W. (1962). The nature and nurture of creative talent. American Psychologist, 17, pp 484-495

23. Mednick, S.A. (1968) The associative basis of the creative process. Psychological Review, 69, pp 220-232

24. Perry, W. And Braff, D.L. (1994) Information-processing deficits and thought disorder in schizophrenia. American Journal of Psychiatry, 151, pp 363-367

25. Preti, A. (1995a). The role of dopaminergic pathway in the neurobiology of schizophrenia. Critical issues in the treatment of schizophrenia, Florence, pp 102-103.

26. Preti, A. (1995b). Neurobiological aspects associated with the development of schizophrenia. Psychiatric Genetics, 5 (suppl 1) S62.

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