Acquainted With The Night Essays and Research Papers

Instructions for Acquainted With The Night College Essay Examples

Title: Essay Analysis Explication POEM FROST Acquainted Night 1000 word essay sources a clear connection speaker subject Must MLA APA CBE Do summerize poem purpose explication give a detailed orginal insite poem

  • Total Pages: 4
  • Words: 1776
  • Sources:2
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: Essay; Analysis/Explication POEM ( FROST " Acquainted with the Night " )

1000 word essay two outside sources must be used, and a clear connection between the speaker and the subject

Must be in MLA and not APA or CBE

Do not summerize the poem, purpose of the explication is to give a detailed orginal insite of the poem.

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Works Cited

Fagan, Deirdre. Critical Companion to Robert Frost: A Literary Reference to His Life and Work. New York: Facts on File, 2007. Print.

Frost, Robert. The Collected Poems, Complete and Unabridged. Ed. Edward Connery Lathem. New York: Holt, 1979. Print.

Poirier, Richard. Robert Frost: The Work of Knowing. Stanford: Stanford University Press, 1990. Print.

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Title: Robert Frost Acquainted with the Night

  • Total Pages: 3
  • Words: 1169
  • References:2
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: provide an explication for the work "Acquainted with the Night" by Robert Frost . References from a minimum of two outside sources must be used, and a clear connection between the speaker and the subject must be made. Papers are to be written in the MLA style. Proper in-text citations are required.

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Works Cited

Amano, Kyoko. "Frost's ACQUAINTED WITH the NIGHT." Explicator 65.1 (2006): 39-42.

Frost, Robert. "Acquainted with the Night." Retrieved 6 Oct. 2007 at

Murray, Keat. "Robert Frost's Portrait of a Modern Mind: The Archetypal Resonance of Acquainted with the Night'." Midwest Quarterly 41.4 (2000): 370.

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Title: 1300 1600 word analytical essay arguing prove author Robert Frost speaker persona poems Comparing poems Stopping Woods a Snowy Evening The Road Not Taken Acquainted Night Argue prove position

  • Total Pages: 5
  • Words: 1833
  • Works Cited:1
  • Citation Style: APA
  • Document Type: Essay
Essay Instructions: 1300-1600 word analytical essay arguing to prove the author Robert Frost did use the same speaker/persona in his poems. Comparing poems "Stopping by Woods on a Snowy Evening", "The Road Not Taken", and "Acquainted with the Night". Argue to prove my position. Using reasonable evidence found mainly in the poems to make points credible. Underline the thesis in the introduction and the topic sentences in the body paragraphs. When possible use short summaries or paraphrases instead of quotes. Please follow MLA document style for manuscript, in-text citation and works cited.

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In conclusion, the style and concerns are so similar in each of these three poems that the speaker of each must be the same, and we can identify that speaker with an aesthetically-distanced and finely wrought version of Frost himself. If a reader who was otherwise acquainted with the work of Robert Frost -- but who did not know any of these three poems -- were to encounter them for the first time, I think it is safe to say that each of these poems could be confidently identified as Frost's work on the basis of internal factors alone which they share with his work overall. The formalism is a characteristic of Frost's poems everywhere, even in those which are not first-person lyrics. But it is the use of the late Romantic trope of the solitary wanderer -- familiar from earlier writers like Wordsworth, Rousseau, or Byron -- which links these three particular poems together, and it is the particular use of diction and imagery, as well as the obsessions that underlie each, which link them to each other. In each of these poems, Frost presents a consistent lyric voice which expresses the same type of personal solitary vision.


Frost, Robert. The Collected Poems, Complete and Unabridged. Ed. Edward Connery Lathem. New York: Holt, 1979. Print.

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Title: Poetry Explication

  • Total Pages: 3
  • Words: 1171
  • Bibliography:3
  • Citation Style: MLA
  • Document Type: Research Paper
Essay Instructions: Choose one of the poems from the list below and compose a written explication of that poem. Your explication should be 750-1000 words, analyzing one or more of the poem's elements. Your explication is not a summary of what the poem is about. Nor are you expected to unravel the poem?s ?meaning.? Rather, you are explaining how the poet used a particular poetic element, and you are analyzing how that element affects the rest of the poem.

When writing your explication:

? Choose a poem that is adequately profound to sustain a detailed analysis.
? Include a thesis statement that states the element you are analyzing and why.
? Follow a systematic writing pattern by analyzing the element on which you are focusing line by line or stanza by stanza.
? Provide textual examples (words, phrases, and lines) from the poem to illustrate your analytical statements. Cite your sources.
? See for a detailed example of a poetry explication.

Poems to Choose From:

ELIZABETH ALEXANDER, "West Indian Primer."
SHERMAN J. ALEXIE, "Defending Walt Whitman."
ANONYMOUS, "Bonny Barbara Allan."
ANONYMOUS, "Go Down, Moses."
ANONYMOUS, "Western Wind."
MATTHEW ARNOLD, "Dover Beach."
WILLIAM BLAKE, "To see a World in a Grain of Sand."
ANNE BRADSTREET, "The Author to Her Book."
GEORGE GORDON, LORD BYRON, "She Walks in Beauty."
ROSEMARY CATACALOS, "Morning Geograph."
LUCILLE CLIFTON, "At the Cemetery, Walnut Grove Plantation, South Carolina, 1989."
JUDITH ORTIZ COFER, "Lessons of the Past."
BILLY COLLINS, "Introduction to Poetry."
WENDY COPE, "Bloody Men."
BILL COYLE, "Aubade."
E. E. CUMMINGS, "Buffalo Bill's."
E. E. CUMMINGS, "next to of course god america i."
SILVIA CURBELO, "If You Need a Reason."
JIM DANIELS, "Short-Order Cook."
ANGELA DE HOYOS, "Woman, Woman."
EMILY DICKINSON, "After great pain, a formal feeling comes?."
EMILY DICKINSON, "Because I could not stop for Death?."
EMILY DICKINSON, "'Faith' is a fine invention."
EMILY DICKINSON, "I dwell in Possibility?."
EMILY DICKINSON, "I heard a Fly buzz?when I died?."
EMILY DICKINSON, "Success is counted sweetest."
EMILY DICKINSON, Tell all the Truth but tell it slant?."
EMILY DICKINSON, "Wild Nights?Wild Nights!"
JOHN DONNE, "Batter My Heart, Three-Personed God."
JOHN DONNE, "Death Be Not Proud."
JOHN DONNE, "The Flea."
CAROL ANN DUFFY, "Mrs. Darwin."
T. S. ELIOT, "The Love Song of J. Alfred Prufrock."
JAMES A. EMANUEL, "Emmett Till."
LOUISE ERDRICH, "Indian Boarding School: The Runaways."
MART?N ESPADA, "The Community College Revises Its Curriculum in Response to Changing Demographics."
ROBERT FROST, "Acquainted with the Night."
ROBERT FROST, "Mending Wall."
ROBERT FROST, "Stopping by Woods on a Snowy Evening."
DAVID GRAHAM, "The Dogs in Dutch Paintings."
THOMAS HARDY, "The Convergence of the Twain."
JOY HARJO, "Perhaps the World Ends Here."
SEAMUS HEANEY, "Mid-Term Break."
A. E. HOUSMAN, "When I Was One-and-Twenty."
ANDREW HUDGINS, "Elegy for My Father, Who Is Not Dead."
DONALD JUSTICE, "Men at Forty."
JOHN KEATS, "La Belle Dame sans Merci: A Ballad."
JOHN KEATS, "Ode on a Grecian Urn."
JOHN KEATS, "When I Have Fears."
STEVE KOWIT, "The Grammar Lesson."
PHILIP LARKIN, "The Explosion."
LI-YOUNG LEE, "From Blossoms."
JAN HELLER LEVI, "Not Bad, Dad, Not Bad."
ROBERT LOWELL, "Skunk Hour."
CHRISTOPHER MARLOWE, "The Passionate Shepherd to His Love."
CLAUDE MCKAY, "If We Must Die."
W. S. MERWIN, "For the Anniversary of My Death."
CZESLAW MILOSZ, "Encounter."
JOHN MILTON, "When I consider how my light is spent."
PAT MORA, "La Migra."
HOWARD NEMEROV, "The War in the Air."
PABLO NERUDA, "Tonight I Can Write."
FRANK O'HARA, "Ave Maria."
SHARON OLDS, "The One Girl at the Boys' Party."
LINDA PASTAN, "Reading the Obituary Page."
MARGE PIERCY, "Barbie doll."
LEROY V. QUINTANA, "Poem for Salt."
SIR WALTER RALEIGH, "The Nymph's Reply to the Shepherd."
HENRY REED, "Naming of Parts."
WILLIAM SHAKESPEARE, "Let me not to the marriage of true minds."
WILLIAM SHAKESPEARE, "Not marble, nor the gilded monuments."
PERCY BYSSHE SHELLEY, "Ode to the West Wind."
CHARLES SIMIC, "The Partial Explanation."
DAVID R. SLAVITT, "Titanic."
PATRICIA SMITH, "Hip-Hop Ghazal."
STEVIE SMITH, "Not Waving but Drowning."
CATHY SONG, "Picture Bride."
WALLACE STEVENS, "Anecdote of the Jar."
WALLACE STEVENS, "The Emperor of Ice-Cream."
VIRGIL SU?REZ, "Aguacero."
ALFRED, LORD TENNYSON, "Break, Break, Break."
DYLAN THOMAS, "Fern Hill."
TOM WAYMAN, "Wayman in Love."
CHARLES WEBB, "The Death of Santa Claus."
PHILLIS WHEATLEY, "On Being Brought from Africa to America."
WALT WHITMAN, "A Noiseless Patient Spider."
WALT WHITMAN, from "Song of Myself."
C. K. WILLIAMS, "First Desires."
WILLIAM WORDSWORTH, "Composed upon Westminster Bridge, September 3, 1802." WILLIAM WORDSWORTH, "London, 1802."
WILLIAM WORDSWORTH, "My heart leaps up when I behold."
WILLIAM WORDSWORTH, "The Solitary Reaper."
WILLIAM BUTLER YEATS, "Crazy Jane Talks with the Bishop."
WILLIAM BUTLER YEATS, "He Wishes for the Cloths of Heaven."
WILLIAM BUTLER YEATS, "An Irish Airman Foresees His Death."
WILLIAM BUTLER YEATS, "The Lake Isle of Innisfree."
WILLIAM BUTLER YEATS, "Sailing to Byzantium."
WILLIAM BUTLER YEATS, "The Second Coming."
KEVIN YOUNG, "Song of Smoke." Poetry Sampler: Poetry and Art.
RITA DOVE, "Sonnet in Primary Colors."
ALLEN GINSBERG, "Cezanne's Ports."
ROBERT HAYDEN, "Monet's 'Waterlilies.'"
CATHY SONG, "Girl Powdering Her Neck."
MAY SWENSON, "The Tall Figures of Giacometti."
KEVIN YOUNG, "The Fun Gallery."

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Excerpt From Essay:

Works Cited

Bible Meanings. (2011). Lamb. Retrieved December 9, 2012, from

Cox, C.B. (1959). Dylan Thomas's 'Fern Hill.' The Critical Quarterly, 1(2), 134-138.

Thomas, Dylan. (2012). Fern Hill. Academy of American Poets. Retrieved December 9, 2012,


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