Othello Aristotle's Poetics is the most informative piece of work on the nature of art. It is in the Poetics that Aristotle defines the fundamental nature of tragedy. For Aristotle, what defines tragedy (and all art, in general) is in the way that it is imitation (Golden 142). Every form of art (qua imitation) can be compared in terms of the artistic means, object, and manner used in their creation. In

Jackson was born in San Francisco, to father Leslie Jackson, an English immigrant and Geraldine Bugbee Jackson, who was related to the famous California architects, an association some give credit for driving her sense of place and detail for architecture in her stories. She spent most of her years in Vermont and is associated as a New England writer. The last work Jackson published, like the Lottery was one

3.47-51). While Ophelia clearly is intelligent enough to take care of herself as well as offer her own rebuttals against the male characters' altogether creepy insistence on controlling her sexual life, she suppresses this intelligence and ability out of deference for her father. Thus, her eventual fall is inevitable and largely her own fault, because by allowing her relationship to her father to overshadow everything else, including her own thoughts

Aristotle believed that human flourishing (NE: 12) is the definition of good. The mere presence of women in Congress suggests that voters rejected a man, but it is better to look at this not as the rejection of one (male or not), but as the result of human flourishing. This increased competition of more women pursuing what they feel is their own responsibility will result in more unemployment for men,

Aristotle is inclined to view human interaction as something which incites one to desire the happiness of his relational partner as the chief end of the relationship. This is a point which is absolutely essential to the conception of goodness which Aristotle holds as most valuable. He identifies a self-love, as it were, as one of the most important elements in forging a meaningful and positive relationship to the

Charles Van Doren has concluded that the Copernican Revolution is actually the Galilean Revolution because of the scale of change introduced by Galileo's work. The technological innovation of the Renaissance era started with the invention of the printing press (the Renaissance). Even though the printing press, a mechanical device for printing multiple copies of a text on sheets of paper, was first invented in China, it was reinvented in the