Cain (afterward coupled by Mickey Spillane, Horace McCoy, and Jim Thompson) -- whose books were also recurrently tailored in films noir. In the vein of the novels, these films were set apart by a subdued atmosphere and realistic violence, and they presented postwar American cynicism to the extent of nihilism by presuming the total and hopeless corruption of society and of everyone in it. Billy Wilder's acidic Double Indemnity

The spectator is unwittingly sutured into a colonialist perspective. But such techniques are not inevitably colonialist in their operation. One of the innovations of Pontocorvo's Battle of Algiers is to invert the imagery of encirclement and exploit the identificatory mechanisms of cinema in behalf of the colonized rather than the colonizer (Noble, 1977). It is from within the casbah that we see and hear the French troops and helicopters. This

In this area, meanings with their endless referrals evolve. These include meanings form discourses, as well as cultural systems of knowledge which structure beliefs, feelings, and values, i.e., ideologies. Language, in turn, produces these temporal "products." During the next section of this thesis, the researcher relates a number of products (terminology) the film/TV industry produced, in answer to the question: What components contribute to the linguistic aspect of a sublanguage

The 1990s also saw innovative interpretation of law enforcement's role in the perpetuation of organized crime. One of the most notable examples is L.A. Confidential (1997), in which corruption has reached so deep into the Los Angeles police department that two seemingly unrelated criminal investigations both lead to the police chief. The genre also proved its adaptability and continued appeal with Heat (1995) and Carlito's Way (1993); both films starred

Deglamorizing American Street Gangs Social researcher and author Deborah Lamm Weisel (2002) says that the glamorized image of the American street gang as drug dealers is not the image that is consistent with historical research (Lamm Weisel 75). The drug gang} is certainly not a typical street gang... They didn't even grow out of a street gang. These kids started out to make money by pedaling crack and that is a very

The very fact that the magazine openly admires men like Ray Liotta, who show depth beyond the typical alpha male and women like Christina Aguilera, who has chosen to use her sexuality rather than being used by her sexuality, demonstrates that the magazine does not even seriously believe that anyone should become the ideal male. On the contrary, the magazines use of stereotype-heavy advertising and writing suggests that the