Suturing in Film Theory and Other Narrative Practices On a very literal level, to suture something is to sew something back together, usually imperfectly, usually with a substance that is alien to the body that is being altered -- such as the doctor's suturing thread that stitches together an open wound. On a semiotic level, according to Jacques-Alain Miller, Miller's definition of suture (in a nutshell) is that the suturing process

1. Samuel Taylor Coleridge relies on rich multisensory imagery to achieve poetic goals in “Kubla Khan.” The sensory imagery Coleridge uses anchors the poem within the genre of Romanticism, as the poet evokes an idealized past based on the descriptions of the mythic Xanadu. Phrases like “stately pleasure-dome” (Stanza 1, line 2) also add evocative sexual imagery that coincides well with the imagery of the splendor of the natural world,

Gothic Literature Art, as defined by Plato in his paradigmatic work The Republic, serves both as a definition qua definition - a way of telling us what art should be in and of itself - and as an exemplar of other aspects of society. Plato was fundamentally concerned with the relationship between the world and art (including all media of art) because he argued passionately that the true purpose of literature

Postmodern Bereavement Theory Bereavement is a universal observable fact as every human being experiences the loss of a loved one at some point in his/her life. However, every individual experiences it in a unique way. It is, without a doubt, an undeniable truth that to be human is to grieve. The passing away of a loved one can be difficult, irresistible and dreadful for any normal individual. When people are

A teen might be asked to tell their own story from the point-of-view of other people they know, looking at themselves from other viewpoints. These clients are freed to invent stories and play parts in that serve the purpose of providing a framework of meaning and direction for themselves. The stories are never singled out as "true" or "false," but a recognition that truth is complex and no one

Introduction Intimate relationships have changed in contemporary Britain for a variety of social and economic reasons. In the past, marriage made economic sense for both men and women. Today, however, with a combination of social factors from the sexual revolution of the 1960s to the Women’s Movement of the 1970s (which helped women to establish themselves independently of men) to the advent of contraception (liberating sex from procreation) to the proliferation