Although Sarah Orne Jewett's New England is far from Twain's Mississippi, Jewett's use of description and dialogue allows readers to see the exotic New England nature and wildlife in addition to experiencing their social culture as vividly as Twain did along the river. Through both Sylvia's initial search for the cow and her pilgrimage to view the Heron in "A White Heron," Jewett not only describes a young girl's struggle

Realism in an American, Fictional story of Detection -- Dashiell Hammett's Red Harvest So, a realist style, you say? How to convey a sense of realism? Use short sentences. Terse dialogue. Deploy words that are direct in their meaning. Don't be stingy with the slang and other types of common and prosaic language. Don't use too many complex metaphors or words many syllables or subtleties. But do use words that have

Realist Painting Style and Realism The Realist style owes its existence to the Realist concept. "Realism is democracy in art," Courbet believed. (Nochlin, xiii) Taking that as the credo upon which the works of the artists were constructed, the style itself can be nothing if not anti-academic, anti-historical, anti-conservative. Indeed, whether brushstrokes or pen markings or etching into stone or metal form the image, the underlying attitude is one of freedom,

Realism in Film -- Altman's vision of a wild and amoral West: "McCabe & Mrs. Miller" The Western is often the most unrealistic and schematic of film genres in its plot and use of stock characters The film "McCabe & Mrs. Miller," as directed by Robert Altman, shows how this traditional genre of American film also has the potential, within its structure, create a sense of realism. Altman's direction invests the

Mark Twain's realism in fully discovered in the novel The adventures of Huckleberry Finn, book which is known to most of readers since high school, but which has a deeper moral and educational meaning than a simple teenage adventure story. The simplicity of plot and the events that are described in the book look to be routine for provincial life of Southerners in the middle of the 19th century. But

" (Honestly, what more needs to be said?) Now that it has been established that both Call of the Wild and "A New England Nun" have elements of both realism and local order, it's time to present them in terms of their most powerful literary attribute, categorically speaking (of the three aforementioned literary categories): naturalism. As mentioned, naturalism in literature is the notion that social conditions, heredity, and environment unalterably impact