Fahrenheit 451' vs. '1984'
Several conflicting frames of mind have played defining roles in shaping humanity throughout the twentieth century. Philosophical optimism of a bright future held by humanity in general was taken advantage of by the promise of a better life through sacrifice of individuality to the state. In the books 1984, by George Orwell and Fahrenheit 451, by Ray Bradbury have clear opposition to these subtle entrapments that was voiced in similarly convincing ways.
They first both establish, to varying degrees of balance, the atmosphere and seductiveness of the "utopia" and the fear of the consequences of acting in the non-prescribed way through character development. A single character is alienated because of their inability to conform - often in protest to the forced conditions of happiness and well being. Their struggle is to hide this fact from the state's relentless supervision of (supposedly) everything. This leads them to eventually come into conflict with some hand of the state which serves as the authors voices presenting the reader with the 'absurdity' of the principles on which the society is based.
The similar fear of the state's abuse of power and technology at the expense of human individuality present within these novels speaks to the relevance of these novels within their historical context and their usefulness for awakening people to the horrendous consequences of their ignorance.
In these novels the main characters are, or become, unable to conform to the society's standards. These characters represent the authors' view of the 'utopia' as they see it with the veil of ignorance removed. In 1984, for instance, we start out with a character,...
Through his job at the ministry of truth, he becomes a hand of the state, creating fiction to support its endeavors: "Comrade Ogilvy, unimagined an hour ago, was now a fact... he would exist just as authentically... As Charlemagne and Julius Caesar." (1984, p54) As the book progresses he becomes more aware of his individuality and eventually is unable to hide it.
Similarly in Fahrenheit 451, Montag becomes aware of problems with his society, but not logically - emotionally. It disturbs him greatly when a medical team that helps his wife appears and disappears within a matter of minutes: "There are too many of us, he thought. There are billions of us and that's too many. Nobody knows anyone." (F451, p14) He becomes further agitated when a casual encounter with an 'antisocial' (normal by our standards) youth asks him if he's really happy. When these and other questions weigh upon his mind he begins to realize that something is fundamentally wrong with the world he is living in. These characters, although alienated in the novels, are believable and rational. The acts of their questioning in their search for the truth and real emotion persuade the reader to do the same thing. It is in this manner that the utility of these novels becomes apparent; through the demands they make of the reader personally - a superior social commentary, one that demands interaction, is born.
Moreover, the characters' struggle to hide their newly found individuality is a futile one. In Orwell's interpretation of the totalitarian state of 1984, the society is technically and urbanely engineered to spy on and perceive people's very thoughts.…
The second crucial element missing from society, in Faber's explanation, is the leisure time among citizens to critically analyze or even think at all about any meaningful information they should come across in their lives. Because the government has become so successful at capturing their attention in simple forms of entertainment, people lack the necessary motivation to take time away from those enjoyable pursuits to learn about any quality information
1984 & Fahrenheit 451 The Pessimism of 1984 vs. The Optimism of Fahrenheit 451 Both 1984 by George Orwell and Fahrenheit 451 by Ray Bradbury are futuristic depictions of totalitarian societies that value conformity over individualism. The two novels present systems of institutionalized control. There are strict laws and rules governing behavior and thoughts, and both societies are based on a hierarchy. The protagonists in the novels, Winston Smith and Guy Montag,
Granger helps him reconsider the importance of his hands when he tells him it does not matter what you do "long a you change something from the way it was before you touched it into something that's like you after you take your hands away" (170). This scene proves noteworthy for Montag because he realizes it is true. He even notes change will "come from our hands and our
Philosophy: Enlightenment and Fahrenheit 451 We are a society defined by technology and machines. At the speed of light, we gain knowledge via the Internet, our lives are made more convenient and the globe becomes a smaller place to live. As a result of machines and technology, we are a 24/7 society where time is scarce and a high commodity. Even with machines to make our lives and jobs easier, we
Inside he is changing but he continues with his life as much as he can. Beatty accuses Montag of being a hopeless romantic and does his best to convince Montag there is nothing in books that could benefit man. Beatty also blames a large part of Montag's "problem" on his encounters with Clarisse, who was "better of dead" (64). This attitude is a stark contrast with Faber and his
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