Stand Here Ironing The Mother Term Paper

PAGES
4
WORDS
1643
Cite

Children are products of their moment in history, of prevailing conventions and wisdom, of social crusades." (Weissbourd 27) Lidoff, points out the value of the diconect, as it is seen through the narration of perception, rather than reality of feeling. Reflecting that one really can not know another, no matter how close one is to them or how much they wish they could, be the key to their understanding.

Mothers and daughters especially, in "I Stand Here Ironing"... are portrayed as they exist within the minds and feelings of each other: they are imaged by reflection, without the distinction between them always being clear -- to them, to us, to the narrator. The story of one becomes the story of the other with the nearly imperceptible figure-ground reversal of an optical illusion.

Lidoff 405)

The mother and daughter, can then be one person, with or without flaws, that reflects the value and work of the other. The relationship may be built upon perception, rather than reality but this truly is how we see our own children,...

...

The value of the relationship between mother and daughter is clear, as the two share a connection, like no other, but it is a connection of distance. The world is strained, as the mother waits patiently for the daughter to come to her, even though this has not been the pattern of their relationship.
Works Cited

Lidoff, Joan. "Fluid Boundaries: The Mother-Daughter Story, the Story-Reader Matrix." Texas Studies in Literature and Language 35.4 (1993): 398-420.

Carter, Susan ed. Mothers and Daughters in American Short Fiction: An Annotated Bibliography of Twentieth-Century Women's Literature. Westport, CT: Greenwood Press, 1993.

Olsen, Tillie, I Stand Here Ironing Retrieved October 1, 2007 at http://ee.1asphost.com/shortstoryclassics/olsenironing.html

Weissbourd, Richard. The Vulnerable Child: What Really Hurts America's Children and What We Can Do about it. Reading, MA: Perseus Books, 1996.

Sources Used in Documents:

Works Cited

Lidoff, Joan. "Fluid Boundaries: The Mother-Daughter Story, the Story-Reader Matrix." Texas Studies in Literature and Language 35.4 (1993): 398-420.

Carter, Susan ed. Mothers and Daughters in American Short Fiction: An Annotated Bibliography of Twentieth-Century Women's Literature. Westport, CT: Greenwood Press, 1993.

Olsen, Tillie, I Stand Here Ironing Retrieved October 1, 2007 at http://ee.1asphost.com/shortstoryclassics/olsenironing.html

Weissbourd, Richard. The Vulnerable Child: What Really Hurts America's Children and What We Can Do about it. Reading, MA: Perseus Books, 1996.


Cite this Document:

"Stand Here Ironing The Mother" (2007, October 03) Retrieved April 19, 2024, from
https://www.paperdue.com/essay/stand-here-ironing-the-mother-35405

"Stand Here Ironing The Mother" 03 October 2007. Web.19 April. 2024. <
https://www.paperdue.com/essay/stand-here-ironing-the-mother-35405>

"Stand Here Ironing The Mother", 03 October 2007, Accessed.19 April. 2024,
https://www.paperdue.com/essay/stand-here-ironing-the-mother-35405

Related Documents

Stand Here Ironing, by Tillie Olson [...] how it deals with the subject of women, especially poor women. Societies have always oppressed their weakest members, and women have always been perceived as the "weaker" sex. Olsen illustrates the suffering of poor women as they attempt to live a decent live and raise their children with dignity while making sure they can better themselves and live a more rewarding life. STAND

extend the lines, if necessary, without being wordy. Three specific instances of irony in "Where Are You Going, Where Have You Been" are: a) ____The title: no one ever asks Connie these questions. b) ____Connie is the one preyed upon in this tale, but she invites in this demonic provocation. c) Arnold Friend's remark about holding her so tight she won't try to get away because it will be impossible, is an ironic

Three Stories
PAGES 3 WORDS 1071

Handsomest Drowned Man in the World by Gabriel Garcia Marquez Point-of-View -- the author presents the perceptions of the villagers who live in isolation and are suddenly shaken by the arrival of someone so unlike them in stature and appearance. First, the women, then the men, construct an ideal from the tallness and overall attractiveness of the drowned man. He represents a myth, which mingles with their collective sense of

Faulkner and Olsen Analysis Characters in Faulkner and Olsen Complex characters tend to be challenging to write, especially in the case of those whose circumstances and actions make them slightly unappealing. William Faulkner and Tillie Olsen, however, show that with brief stories about their characters' pasts, endearment is not so difficult to elicit after all. In Faulkner's "A Rose for Emily," Emily Grierson's character is shown through the eyes of a collective

Yet the reader can easily piece together this scenario: the harried working mother trying to find a spouse sends away her daughter so that (as an unattached woman) she can pursue romance and remarriage. That the daughter had been shuffled out of the way in favor of romance is made evident by the fact that once she returns she is severely marginalized by her mother's relationship with her stepfather.

2pac Keepin' It Real Irony
PAGES 3 WORDS 1108

Again, he uses dialect that his fans can relate to instead of being concerned about 'proper English'. This is very effective at making the words identifiable to his audience. The more people can relate to what you are saying, the more likely they are to take it to heart and actually do what you are asking them to do: "It's time for us as a people to start makin'