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"...the moment captured in the statue is an example of rhythmos, harmony and balance" (Encyclopedia: Discobolos)
The Dying Gaul, sometimes known as the Dying Trumpeter, is a "...ancient Greek statue of a dying warrior lying on the ground supporting himself with one arm. The Romans later made a marble copy of the Greek original." (Dying Gaul) This sculpture is well-known as one of the most poignant classical expression in sculpture of death and dying. "After 50 years of desperate and unceasing battle, victory over the Gauls was commemorated by this gravely realistic depiction of a tragic hero. With classic details revealing the Greeks' admiration for strength and bravery" (Dying Gaul Sculpture) the Greek emphasis on form and the esthetic representation of the human are also clearly evident here.
Studies of Greek and Roman art tend to emphasize similarities as well as differences in this various sculptures and other artworks. What is often stressed is how the cultural and social values and norms of the culture are echoed in the works of art. As one commentator notes, we can discern the different cultural aspect from the art that was...
Greek Art)
The examples discussed above tend to show the truth of this distinction between Roman and Greek art.
References
Dying Gaul. Retrieved November 7, 2008 at http://eastlrc.valencia.cc.fl.us/askthematador/researchguides/Dying%20Gaul.htm
Dying Gaul Sculpture. Retrieved November 7, 2008 at http://www.designtoscano.com/product/indoor+statues/classic+statues/greek+and+roman+statues/dying+gaul+sculpture+-+pd1948.do
Encyclopedia: Discobolos. Retrieved November 7, 2008 at http://www.nationmaster.com/encyclopedia/Discobolos
Roman Art vs. Greek Art. Retrieved November 7, 2008 at http://www.essays.cc/free_essays/a4/cng289.shtml
Sculptural portrait of Philip the Arab. Retrieved November 7, 2008 at http://www.hermitagemuseum.org/html_En/03/hm3_1_3b.html
C.E., is an outstanding example of "the sedate, idealized manner now recognized as Augustan," a reference to the Roman emperor Augustus of the early Roman Empire period. Thus, this marble statue symbolizes Augustus "proclaiming a diplomatic victory to the citizens of Rome" (Kjellberg, 1968, 245). Artistically, it is of the highest quality, much like the Doryphoros, and was probably executed by a Greek artist which explains why it is somewhat similar
Roman art was oriented towards realistic depiction of the features, copying exactly the physiognomy, without embellishing the emperor with perfect god-like features in order to make him appear divine, instead of human. The sculpture displays features that were obviously faithful to the real model: the thin lips, the peculiar shape of the nose, the expression lines across his forehead and around his eyes, revealing age and concern of a man
Greek and Roman History The Greek and Roman civilizations each played an important part in shaping the history of today. It is interesting to look at these two cultures and the major contributions of each. Greek History The Greek civilization was defined in the 5th century BC by the Golden Age. Athens was home at this time to "statesmen such as Pericles, Solon and Lycourgos. Pericles, who lived from 495 to 429 B.C., was responsible
Eyes Egyptian, Greek, and Roman Sculpture Different cultures see the world in different ways. Religion, society, and even politics, shape our views, and give form to our human environment. Architecture, music, literature, dress -- all are visible manifestations of a people's values. This is no less true in the realm of sculpture. A religious people will create works of art that express its most deeply held spiritual beliefs; a cerebral people,
Greek Sculpture A Timeline of Greek Sculpture Polykleitos, Doryphoros (early fourth century BC) As Paul Johnson (2003) records, this ancient example of Greek classicalism "epitomizes a canon of male beauty embodied in mathematical proportions" (p. 63). Showing the perfection of contraposto, Doryphoros (or the spear-carrier) is a balanced representation of the body's muscles. Polykleitos, a contemporary of Phidias, had his own school of young artists, which carried on into the third century BC.
Romans 2 Greeks CULTURES ECONOMICS GEOGRAPHICAL TERRAIN GOVERNMENT TRADE PRACTICES RELIGIOUS BELIEFS PHILOSOPHY It was seen in history that a number of beliefs and the practices Romans adopted were from Greeks. In a nut shell the roman had adopted many of the things from Greeks related to their philosophies, culture, etc. (Ancient history Tran, 2010) Art and ARCHITECTURE Romans have adopted the art from Greeks. Roman art has a variety of work. Painting, sculpturing and architecture were the famous forms of