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A said that, as long as the Soviet Union was in existence, Nazi fascism could never be sure of its survival. Therefore, the Soviet Union must expect to be attacked by this reactionary enemy. If the United States wished to preserve its democratic forms, it would ally itself with Russia against fascism. Since Lenin was the pre-eminent founder of the Soviet Union and also the first and most altruistic theorist of modern communism, I used him as the center of the inevitable alliance between the Russian and the American. In doing this, I said, I was quite aware that I was going against public opinion Having heard me out, the reporter, smiling politely, remarked that, apart from being a remarkable painter, I was also an excellent humorist. "Mural Painting and Social Revolution in Mexico: 1920-1940, Art of the New Order." Art Journal 58.1 (1999): 114+. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5001252712.
Rockefeller asked Rivera to remove the face of Lenin and instead paint a picture of an unknown man, and Rivera promptly told the man that he would rather destroy the whole of the work than remove such a large part of its message, though this is not the story told by the Rockefeller biographers or the Rockefeller foundation, but it is none the less the artists conception of events.
Within his surviving works there is also a sense of his politic and manner in which he chose to change the world, though interestingly probably the most controversial of his works was never shown to the public. A modern interpretation of his works claims that his murals "They were 'the visual component of [the] need to create that Mexican citizen necessary for the survival of the post-Revolutionary state,' the 'official intrusion into political consciousness and social life' (195). "
They served, as he would have liked them to, to engender ideals in the public of Mexico, though the communist revolution of Rivera's hoping never occurred the public spaces that he became a part of are mostly preserved. He can boast huge murals on the walls of several public buildings in Mexico, the education department and the agriculture school at Chapingo being the most famous.
His ideas were radical and his beliefs were often countered, even by his own beloved communist party but his work is a legacy of the establishment of public spaces as places where art and ideas can come together to attempt to rework society into a better place.
Works Cited www.questia.com/PM.qst?a=o&d=31153840
Charlot, Jean. Mexican Art and the Academy of San Carlos, 1785-1915. Austin, TX: University of Texas Press, 1962. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=31153840.
A www.questia.com/PM.qst?a=o&d=109096946
Foucault, Michel, and Paul Rabinow. "57 Space, Knowledge and Power." Companion to Contemporary Architectural Thought. Ed. Ben Farmer and Hentie Louw. London: Routledge, 1993. 342-348. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=109097299.
A www.questia.com/PM.qst?a=o&d=15224586
Holston, James, ed. Cities and Citizenship. Durham, NC: Duke University Press, 1999. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=15224751.
A www.questia.com/PM.qst?a=o&d=100290255
Kramer, Michael, and Sam Roberts. I Never Wanted to Be Vice-President of Anything! An Investigative Biography of Nelson Rockefeller. New York: Basic Books, 1976. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=100290313.
A www.questia.com/PM.qst?a=o&d=5001252712
A www.questia.com/PM.qst?a=o&d=5000208231
Lewis, Helena. "Surrealists, Stalinists and Trotskyists." Art Journal 52.1 (1993): 61+. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5000208231.
A www.questia.com/PM.qst?a=o&d=28557238
Schmeckebier, Laurence E. Modern Mexican Art. Minneapolis: University of Minnesota Press, 1939. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=28557238.
A www.questia.com/PM.qst?a=o&d=618825
Stewart, Virginia. 45 Contemporary Mexican Artists: A Twentieth-Century Renaissance. Stanford, CA: Stanford University Press, 1951. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=618825.
A www.questia.com/PM.qst?a=o&d=91107661
Wolfe, Bertram D. The Fabulous Life of Diego Rivera. New York: Stein and Day, 1963. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=91107685.
A www.questia.com/PM.qst?a=o&d=5001252712
Anthony W. Lee, "Mural Painting and Social Revolution in Mexico: 1920-1940, Art of the New Order," Art Journal 58.1 (1999), Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5001252712.
A www.questia.com/PM.qst?a=o&d=5000208231
Helena Lewis, "Surrealists, Stalinists and Trotskyists," Art Journal 52.1 (1993), Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5000208231.
A www.questia.com/PM.qst?a=o&d=109097299
Michel Foucault, and Paul Rabinow, "57 Space, Knowledge and Power," Companion to Contemporary Architectural Thought, ed. Ben Farmer and Hentie Louw (London: Routledge, 1993) 342, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=109097299.
A www.questia.com/PM.qst?a=o&d=15224751
James Holston, ed., Cities and Citizenship (Durham, NC: Duke University Press, 1999) 158, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=15224751.
A www.questia.com/PM.qst?a=o&d=91107685
Bertram D. Wolfe, the Fabulous Life of Diego Rivera (New York: Stein and Day, 1963) 3, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=91107685.
Diego Rivera with Gladys March My Art, My Life: An Autobiography, New York: Citadel Press, 1960. Republished by Dover Publications, Inc. In 1991.
A www.questia.com/PM.qst?a=o&d=100290313
Michael Kramer, and Sam Roberts, I Never Wanted to Be Vice-President of Anything! An Investigative Biography of Nelson Rockefeller (New York: Basic Books, 1976) 47, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=100290313.
A www.questia.com/PM.qst?a=o&d=5001252712
Anthony W. Lee, "Mural Painting and Social Revolution in Mexico: 1920-1940, Art of the New Order," Art Journal 58.1 (1999), Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5001252712.
A www.questia.com/PM.qst?a=o&d=91107882
Bertram D. Wolfe, the Fabulous Life of Diego Rivera (New York: Stein and Day, 1963) 168, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=91107882.
Works Cited www.questia.com/PM.qst?a=o&d=31153840
Charlot, Jean. Mexican Art and the Academy of San Carlos, 1785-1915. Austin, TX: University of Texas Press, 1962. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=31153840.
A www.questia.com/PM.qst?a=o&d=109096946
Foucault, Michel, and Paul Rabinow. "57 Space, Knowledge and Power." Companion to Contemporary Architectural Thought. Ed. Ben Farmer and Hentie Louw. London: Routledge, 1993. 342-348. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=109097299.
A www.questia.com/PM.qst?a=o&d=15224586
Holston, James, ed. Cities and Citizenship. Durham, NC: Duke University Press, 1999. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=15224751.
Kramer, Michael, and Sam Roberts. I Never Wanted to Be Vice-President of Anything! An Investigative Biography of Nelson Rockefeller. New York: Basic Books, 1976. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=100290313.
Lee, Anthony W. "Mural Painting and Social Revolution in Mexico: 1920-1940, Art of the New Order." Art Journal 58.1 (1999): 114+. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5001252712.
Lewis, Helena. "Surrealists, Stalinists and Trotskyists." Art Journal 52.1 (1993): 61+. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5000208231.
Schmeckebier, Laurence E. Modern Mexican Art. Minneapolis: University of Minnesota Press, 1939. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=28557238.
Stewart, Virginia. 45 Contemporary Mexican Artists: A Twentieth-Century Renaissance. Stanford, CA: Stanford University Press, 1951. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=618825.
Wolfe, Bertram D. The Fabulous Life of Diego Rivera. New York: Stein and Day, 1963. Questia. 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=91107685.
Anthony W. Lee, "Mural Painting and Social Revolution in Mexico: 1920-1940, Art of the New Order," Art Journal 58.1 (1999), Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5001252712.
Helena Lewis, "Surrealists, Stalinists and Trotskyists," Art Journal 52.1 (1993), Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5000208231.
Michel Foucault, and Paul Rabinow, "57 Space, Knowledge and Power," Companion to Contemporary Architectural Thought, ed. Ben Farmer and Hentie Louw (London: Routledge, 1993) 342, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=109097299.
James Holston, ed., Cities and Citizenship (Durham, NC: Duke University Press, 1999) 158, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=15224751.
Bertram D. Wolfe, the Fabulous Life of Diego Rivera (New York: Stein and Day, 1963) 3, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=91107685.
Michael Kramer, and Sam Roberts, I Never Wanted to Be Vice-President of Anything! An Investigative Biography of Nelson Rockefeller (New York: Basic Books, 1976) 47, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=100290313.
Anthony W. Lee, "Mural Painting and Social Revolution in Mexico: 1920-1940, Art of the New Order," Art Journal 58.1 (1999), Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=5001252712.
Bertram D. Wolfe, the Fabulous Life of Diego Rivera (New York: Stein and Day, 1963) 168, Questia, 30 Apr. 2007 http://www.questia.com/PM.qst?a=o&d=91107882.
Moreover, it was also during his final years in Europe that he developed his ideas about muralismo (mural art) as public art which would focus on the Mexican people (Brenner 280). He saw himself as a revolutionary who believed that all art was political propaganda thus he chose painting as his most important tool of expression because he thought that it was the easiest and most effective method of
Art, Picasso, Matisse, Diego Rivera Life had placed Picasso, Matisse and Rivera with three different starts. Of them, Picasso is the most renowned. His name was a mouthful - Pablo or El Pablito Diego Jose Santiago Francisco de Paula Juan Nepomuceno Crispin Crispiniano los Remedios Cipriano de la Santisima Trinidad Ruiz Blasco y Picasso Lopez. He was born in 1881 in Malage, Spain and is considered as the father of cubism
Cognitive Social Learning and Artist Frida Kahlo It is important to note, from the onset, that social-cognitive learning theory could be defined as “a theory of personality that features cognition and learning, especially from the social environment, as important sources of individual differences in personality.”1 Although Kahlo was married to Diego Rivera, their relationship was, from time to time, rocked by extramarital affairs emanating from both parties. According to Tempesta2, Diego
Frida Kahlo is quoted as saying, "I suffered two grave accidents in my life. One in which a streetcar knocked me down. The other accident is Diego," (cited by Botis 1). The love relationship between Frida Kahlo and Diego Rivera is one of the most famous in modern art. Their relationship was tumultuous, which seemed to be a good recipe for creativity and artistic self-expression. "It is a well-known fact
Frida Kahlo- surrealist painter, cross- dresser, enthusiastic drinker and lover, inspiration for one of the greatest painters of the 20th century, Diego Rivera, icon, legend, communist activist and I know the list can go on. It is amazing how someone who only lived 47 years and whose life was a collection of operations and sickness could be such an active person. Yet, she was and was to become one of
Multicultural Newsletter What is Multicultural Literacy? Approaching the subject of multicultural literacy for the first time a student might think it has to do with getting minorities to become literate -- to be able to read and write in English or in their native language. That would be wrong, albeit it is a good goal in terms of bringing all students up to speed in communication skills. What is important to remember