Classical Music: Theme And Variations Term Paper

PAGES
3
WORDS
821
Cite

In the Classical Era, Wolfgang Amadeus Mozart, Joseph Haydn, Ludwig van Beethoven, and Franz Schubert, are among the famous variations artists. Following are the types of variations in the Classical Era.

Penultimate Variation

This variation works on a slow tempo with multi-movements.

Final Variation

In contrast to the penultimate variation, the final variation is fast in style.

Double Variation

This variation uses two themes and is played in varied alteration (Wikipedia).

The Romantic Era, however, was where few variations were developed. Johannes Brahms was the famous variation artist of this era. Few of his works are Theme of Haydn, Franck's Symphonic Variations for piano solo and orchestra, and Elgar's Enigma Variations (ThinkQuest).

The 20th century also boasts of the development of variations by the period's composers. Wikipedia online lists the following works of variations in this period.

The Variations for Orchestra (Arnold Schoenberg)

The Variations, Opus 27 for Piano and Variations, Opus 30 for Orchestra (Anton Webern)

Variations and Fugue on a Theme by Purcell (Paul Hindemith, Benjamin Britten)

Rhapsody on a Theme of Paganini (Sergei Rachmaninoff)

Tema con Variazioni (Igor Stravinsky)

Conclusion

There...

...

The popularity of this trend revolved in the different kinds of music such as the instrumental and music for orchestra. There are quite a number of well-known contributors to the art of theme and variation in music. Some of which are Ludwig van Beethoven, Wolfang Amadeus Mozart, and Johann Sebastian Bach, among many others.
Theme and Variation is perhaps among the greatest inventions in the history of music that is still visible and being used in the present times. Themes and variations is visible in the popular music that we love these days in which tunes are repeated and are slightly changed during the succeeding sets of notes.

Bibliography

The Baroque Era - Instrumental

ThinkQuest Online. http://library.thinkquest.org/15413/history/history-bar-inst.htm

The Renaissance Era - Instrumental.

ThinkQuest Online. http://library.thinkquest.org/15413/history/history-ren-inst.htm

The Romantic Era - Instrumental

ThinkQuest Online. http://library.thinkquest.org/15413/history/history-rom-inst.htm

Theme and Variations. http://themeandvariations.blogspot.com/2005/01/classical-music-forms.html

Variation Music.

Wikipedia Online. http://en.wikipedia.org/wiki/Theme_and_variations

Sources Used in Documents:

Bibliography

The Baroque Era - Instrumental

ThinkQuest Online. http://library.thinkquest.org/15413/history/history-bar-inst.htm

The Renaissance Era - Instrumental.

ThinkQuest Online. http://library.thinkquest.org/15413/history/history-ren-inst.htm
ThinkQuest Online. http://library.thinkquest.org/15413/history/history-rom-inst.htm
Theme and Variations. http://themeandvariations.blogspot.com/2005/01/classical-music-forms.html
Wikipedia Online. http://en.wikipedia.org/wiki/Theme_and_variations


Cite this Document:

"Classical Music Theme And Variations" (2006, October 26) Retrieved April 25, 2024, from
https://www.paperdue.com/essay/classical-music-theme-and-variations-72652

"Classical Music Theme And Variations" 26 October 2006. Web.25 April. 2024. <
https://www.paperdue.com/essay/classical-music-theme-and-variations-72652>

"Classical Music Theme And Variations", 26 October 2006, Accessed.25 April. 2024,
https://www.paperdue.com/essay/classical-music-theme-and-variations-72652

Related Documents

Classical Symphony Music, like other forms of art, evolved from numerous traditions that, when taken together, formed a new way of thinking about, and performing, certain types of works. Audiences change over time, and certain musical compositions that sound odd or strange to one audience are often accepted by others (e.g. The rioting during the premier of Stravinsky's Rite of Spring). When people think of classical music, for instance, they tend

The piano plays quick octaves and the urgent bass motive portrays an intense wild ride. This strong galloping is also being formulated by the piano's triplet rhythm which allows for the development of the dramatic storyline's urgency. 5. ) There are four different characters in this piece: the Narrator, the father, the son, and the Erlkonig. Although Schubert uses one singer to portray and sing all of the four parts

E's Music Classroom: Musickit, 2007). The exposition tends to be less resolved, atonal, and discordant in sound. The form was used to create a more open structure than the Baroque fugues or rondeau forms. What types of works commonly use this form? Sonatas (obviously) symphonies, and string quartets all make use of the three-part sonata form, although some have more elaborate variations than others, depending on the length of the

W. Bardeen. Johnson, R. (2006) What's New in Pedagogy Research? The American Music Teacher v. Lecanuet, J.-P. Granier-Deferre, C., & Busnel, M.-C. (1988). Fetal cardiac and motor responses to octave-band noises as a function of cerebral frequency, intensity and heart rate variability. Early Human Development, 18:81-93 Lorch, C.A., Lorch, V., Diefendor, O and Early, P.W. (1994). Effect of Stimulative and Sedative Music on Systolic Blood Pressure, Heart Rate, and Respiratory Rate in Premature

Pop is tomorrow's Classical"- Paul McCartney. Discuss this contention within the context of rock/classical music collaborations since the early 1950s. Classical Rock and Popular Prophecy To the average music-listener, musical genres are easily divided into homogenous groupings without any danger of overlapping one another. Certainly, there are rare occurrences of "cross-over" hits on the radio that find airplay on both Adult Contemporary and Country stations, or those releases which find an

From the research I know he was a ladies man. In Joan Peyser's book (The Memory of All That: The Life of George Gershwin) it is 1927 and Gershwin is discovered in bed with one of the attractive women from a show he and Harry Richman were working on. Caught with his shirt and pants still in his hand, Gershwin offered: "Mr. Richman, what can I say to you?